Paul D. Miller — aka DJ Spooky, That Subliminal Kid — joins Monmouth University faculty members on March 21, for a free performance of music, words and images inspired by his travels to the Antarctic continent. (courtesy sozo artists)
(Expanded from an article published in The Coaster newspaper, Asbury Park NJ, March 15, 2018)
“I think of Antarctica as a place of meditation and deep time,” says Paul D. Miller, the multimedia master who explores an array of creative frontiers under the name DJ Spooky, That Subliminal Kid. “Everyone who has been there is humbled by the scenario — it really is the most un-Earth like place on this planet.”
Even for a multi-platform artist who’s traveled the world — delivering his work to audiences at universities, museums and concert halls in cities on several continents — it might seem just a step or two out of accepted bounds to take one’s act to the place that he calls “a kind of Utopia at the end of the world…the only place with no government.”
But then, accepted bounds (or any other creative protocols and pigeonholes) mean pretty close to nothing, to a man who describes himself as “an ‘interdisciplinary’ artist…and that means all boundaries are blurred.”
In the space of some two decades in the public eye, the native of Washington, DC has compelled attention as a trip-hop/ “illbient” recording artist; a turntable DJ of expansively experimental vision; a software designer; a composer for ballet troupes, orchestras and filmmakers; an exhibited media artist at major galleries; an artist in residence at NYC’s Met museum; an author (of the MIT-published The Imaginary App); an educator, a magazine editor (ORIGIN), and a performer who’s mixed and matched with everyone from avant garde composer Iannis Xennakis and Yoko Ono, to members of Public Enemy, Sonic Youth, and Slayer.