COME FOR THE MUSIC, STAY FOR THE FILM, AT APMFF 2019

An era-defining inductee of the Rock and Roll Hall of Fame; a next-generation scion of one of American music’s most awesome bloodlines; a foundational figure from the big musical house that Bruce built — and a producer-director whose most recent project earned the Academy Award for Best Picture. All in a weekend’s work — and maybe all at the next table over, here in an ever-accelerating Asbury Park entertainment scene. But with the arrival of the Asbury Park Music and Film Festival, the celebrity-spotting carries a positively charged connection to the city’s rich cultural legacy, and to the young performers who will carry that torch into the future, and the wide world beyond the boardwalk.

Beginning with a special screening and jam session tonight, April 25 at the Paramount Theatre, and soldiering on through the weekend days and nights ahead, it’s the fifth annual edition of the sprawling event that originated under the auspices of the hard-working Asbury Park Music Foundation — and which serves as a high-profile fundraising vehicle for the nonprofit APMF and its ongoing endeavors in the fields of musical education, historical preservation, and live-concert presentation.

Coordinated in its earliest days by Matt Hockenjos (profiled in this space recently, in his role as drummer for alterna-surfpop band Dentist), the festival is guided these days by principals that include Sony Pictures Classics co-president Tom Bernard, Grammy nominated photographer-filmmaker (plus Sea.Hear.Now Festival founder) Danny Clinch, and Asbury Park Press publisher Tom Donovan. The board of directors, an august group of music biz pros, filmmakers and philanthropists, boasts such names as the Grammy Museum’s Bob Santelli, Batman franchise producer Michael Uslan, and radio personality Shelli Sonstein. What hasn’t changed is the core theme of “exploring music in film” — a mission that’s brought the likes of Bruce, Little Steven, Wyclef Jean, Doors drummer John Densmore, and Asbury’s own movie-biz mover ‘n shaker Danny De Vito to the festival’s stages — as well as the call “to benefit underserved youth in Asbury Park,” through organizations like the Boys and Girls Clubs, the “traveling “Beat Bus” program, and the after-school program of Our Lady of Mt. Carmel church.

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BOB EGAN RULES THE NIGHT, WITH THE KEYS TO THE PIANO BAR KINGDOM

Published in The Coaster (Asbury Park, NJ) and The Link (Long Branch, NJ), April 18, 2019. Photos by Tom Joyce, Stephen Brown, G. Bodner, Bob Crist

It’s a format that’s admittedly always seemed a little ripe for ribbing — think of those classic SNL skits with Bill Murray fake-booking his way through his skewed attempts at staying hip and contemporary — but in the ivory-tickling hands of an expert entertainer, nothing really comes close to piano-bar music and its capacity for transforming any space into an intimate gathering of friends. As it just so happens, our neck of the Monmouth County shore is among the most frequently visited ports of call for a master who’s dedicated himself to “breaking the stigma that a piano bar open-mic is nothing but old songs.”

In a textbook case of understatement, Bob Eganp rofesses that  “I know and love thousands of songs…not just the Sinatra era songbook and the Broadway showtunes, but also Adele, Sarah Barreiles, Bruno Mars, Jason Mrraz, Lady Gaga.”

“These artists are really good songwriters…their work tells me that writing is back; melody is back…and even the older crowd loves listening to talented young people singing these songs.”

Speaking from Moonstruck, the lakeside Asbury Park landmark where he maintains a long-running select-Sundays gig, the piano man declares that “my passion is working with singers…all kinds of singers…and my aim is to provide a safe space for them to feel confident.”

That safe space takes the form of Bob Egan’s Open Mic, the traveling showcase in which the entertainer invites people from all around the region — people who “want to sing; who want to work hard and get better,” to “get up there and do what they do.”

Just don’t think of it as karaoke, oke? With Egan as your gracious party host, master of ceremonies, and musical director — and with the proceedings energized more by solid enthusiasm and skills than by liquid courage — the Open Mic nights represent a setting in which “the singers are also part of the audience…it’s a place for them to workshop their material, and to really listento what the other singers are doing; to be the best that they can.”

The nights ahead offer two opportunities to catch Bob Egan and company doing what they do so well, at two of the New Hope, PA-based musician’s regular Shore outposts. Tonight, April 18 finds Egan holding down his weekly Thursday booking at The Rum Runner, the rebuilt/ relaunched flagship of the Tim McLoone fleet in Sea Bright — while the evening of April 22 finds the keyboard man inside The Asbury Hotel’s lobby Soundbooth Lounge, where he holds court on the second, fourth, and occasional fifth Mondays of each month. In between, on April 20, Bob Egan takes part in a special Saturday night event at Tim McLoone’s Supper Club on the Asbury boards — a showcase for a vocalist that Egan proudly proclaims as “one of my singers.”

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THE CATS ARE IN THE HOUSE, DURING 2ND ANNUAL CATSBURY CON

Published in The Coaster (Asbury Park, NJ) and The Link (Long Branch, NJ), April 11, 2019

As manager for Asbury Park’s resident punk rock exponents The Bouncing Souls — and at the area turntables under the alias DJ Values — Dean “DJ” Bornschein“spent most of my twenties not really growing up,” by his own admission; confessing in this space last year that  “I became an adult in my thirties, when I got a cat.”

More than just a passing cat fancy, that sincere interest in the domesticated feline species led Bornschein to establish a home-based, not-for-profit cat rescue service that specialized in matching hard-to-place cats with new forever-homes through social media — and, in 2017, to found New Jersey’s first full-fledged “cat cafe” under the Catsbury Park name.

Located at 708 Cookman Avenue in Asbury Park, and open every day but Tuesday, the storefront adoption center allows visitors to meet and mingle by appointment with an ever-changing collection of resident cats (all oat least one year old, vaccinated, spayed/neutered, and ID-chipped); obtained from the Monmouth County SPCA and other reputable rescue sources. The cafe part allows patrons to enjoy local-vendor desserts, teas or coffees in a sit-down setting, with in-house gift shop “meow-merch” items also going toward the funding of the adoption center.

All very well and fine, and welcome even in the passionately pooch-friendly seaside city that brought you the Doggy Yappy Hour. But with platforms like YouTube, Facebook and Instagram having made international celebrities of various photogenic felines, those once-humble housecats began to transition from hairball-hocking homebodies, to household names in the big world beyond. Hence, the need for Bornschein and his Catsbury crew to organize the Catsbury Park Convention, the inaugural edition of which commandeered Convention Halland the Paramount Theater— an area where not so very long ago a community of feral felines made its home beneath the former Howard Johnson’s — in early April of 2018.

Going up this Saturday and Sunday, April 13 and 14 — and augmented by various ancillary events and afterparties at locations around AP — the second annual Convention promises to bring thousands of cat lovers to town, in addition to nationally noted animal advocates, felinephile entertainers, and of course a furry firmament of stellar celebri-cats.

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GARDEN STATE SONGWRITERS MAKE THE SCENE, FOR YOUR NJ-MENT

L-R: Dean Friedman, James Dalton, and Nikki Briar Shore up their local base of support, in three separate events going on Friday, March 29.

Published in The Coaster (Asbury Park, NJ) and The Link News (Long Branch, NJ) March 28, 2019

SOUNDS: Dean Friedman at McLoone’s Supper Club 

He stood out from the pack of earnest 1970s singer-songwriter types by staking a sonic streetcorner all his own; a place where it was perfectly permissible to name-check fast food franchises, New Jersey shopping malls, New York television stations, and such august institutions as the Saddle River Little League. His wryly  good-humored takes on contemporary life would occasionally land Dean Friedman in the midst of controversy — and that same sense of humor has always served as a “critical survival tool” to the Paramus native whose lone foray into the US Top 40 (“Ariel”) was a reference-packed romance that turned a chance meeting with a peasant-bloused, vegetarian Jewish girl (“I said Hi/ She said  Yeah, I guess I am”) at Paramus Park into the retro-catchiest pop song of 1977.

“I always had an affinity for those kind of details,” observes the composer whose descriptions of dates with the titular Ariel included onion rings at Dairy Queen, a band gig at the American Legion hall, Annette Funicello movies on TV, and a fundraiser for radio station WBAI. “They help to conjure up that time and place.”

Having performed occasionally in Asbury Park since those days — beginning with a  high profile 1977 opening set for Southside Johnny and the Jukes — Friedman makes an encore appearance at McLoone’s Supper Club this Friday night, March 29, with a set of “story songs” drawn from a 40 year recording career. Scheduled for 8 pm, the show that finds Friedman performing solo on guitar and keyboards is described as  “a deep dive” into a catalog that spans eight studio albums and more than 300 released tunes; an “atypical set list” about which the songsmith says “I figured it’s stime to give some of those overlooked songs a chance to shine…but no worries, I’ll always play the fan favorites.” Continue reading

GARDEN STATE FILMFEST CULTIVATES SOME JERSEY TOMATOES

Published in The Coaster (Asbury Park NJ) and The Link News (Long Branch NJ), March 21, 2019

“It’s an honor. An honor!

The preceding represents the entire transcript of a speech delivered by Christopher Lloyd, as he quickly accepted an award from the producers of the 2018 Garden State Film Festival— and just as quickly made his way out the door of the festival’s host venue, the onetime Neptune High School building reborn in recent years as the Jersey Shore Arts Center.

A vividly familiar presence in big-budget Hollywood properties like the Back to the Future franchise, The Addams Family, Star Trek III and Roger Rabbit — and a serial Emmy winner for his work in Taxi and other projects — the veteran character man was briefly present in Ocean Grove to promote his participation in an indie thriller being screened that evening, and to help welcome the festival as it went “back to the future,” in a return to the community that it called home for the first 11 years of its existence.

Founded in 2003 by Diane Raver and the late Robert Pastorelli (an Emmy nominee as Eldin on the original Murphy Brown), the GSFF spent four years in Atlantic City before relocating once more to a fast-morphing Asbury Park and neighboring precincts. By that time, the city had spawned several all-new entertainment venues (including the  expanded ShowRoom arthouse cinema); welcomed aboard a slew of new concert series and special events — and given birth to a high-energy, high-profile Music and Film Festival whose upcoming schedule in April 2019 boasts appearances by, among others, writer-producer-director Peter Farrelly (fresh off his  double Oscar win for Green Book).

But while Raver’s festival has welcomed such well known guests as Glenn Close, Ed Asner, Batman producer Michael Uslan, That 70s Show actor Kurtwood Smith, On the Waterfront screenwriter Budd Schulberg and half the cast of The Sopranos beneath its tent in past editions, its roots remain grounded in the still-fertile soil of the independent filmmaking movement — with a particular emphasis on the plump and flavorful “tomatoes” cultivated by the creative community of the Garden State.

And when the 17th annual GSFF presents its smorgasbord of international fare beginning this coming Wednesday, March 27, the guest list will carry a pronounced Jersey accent, with special recognitions given to a set of screen performers with deep local connections — and a keynote event that once again explores our seemingly bottomless fascination with the legacy of HBO’s Sopranos series.

Screening at 7 pm Wednesday, and hosted at the JS Arts Center, My Dinner With Alan finds writers Alan Sepinwall and Matt Zoller Seitz — longtime television correspondents for the Star-Ledger, and authors of the book The Soprano Sessions— discussing the lasting impact of David Chase’s groundbreaking, Jersey-centric project (among various other topics) inside Holsten’s, the Bloomfield restaurant that served as the setting for the show’s still-controversial finale.

Sepinwall and Seitz are scheduled to be present for a post-screening panel discussion with director Kristen Fraga, joined for the occasion by a trio of Sopranos actors: Artie Pasquale, Federico Castelluccio, and Dan Grimaldi (famous for playing both Parisi twins, and familiar to followers of Long Branch’s New Jersey Repertory Company for his roles in Mercy and The Jag). While it’s included in the festival’s weekend pass option, the event (which features a book signing pre-order option for $25) also offers a $15 individual ticket at brownpapertickets.com/event/4094178.

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THE PARADE’S GONE BY…BUT IT’S A NEW GREEN DEAL FOR ST. PAT’S

Published in The Coaster (Asbury Park, NJ) and The Link (Long Branch, NJ), March 14, 2019

So the local St. Patrick’s Day parades  — both the long-established  ballyhoo in Belmar, and the more recently minted shamrock shake in Asbury Park — have bleated their last bagpipe note; honked their last  hook ‘n ladder horn; swept up their last tossed bag of Skittles, Nerf torpedo, or busted balloon animal as they’ve moved on down the avenue.

Here in that strange interlude when our daylight-savings adjusted eyes spring-ahead to visions of the impending summer  — but when we’re still dealing with the occasional fall-back of  late winter weather — it’s easy to find ourselves in a holding pattern of sorts. With the season of outdoor concerts and beachfront festivals just out of sight, and with early spring attractions like the AP Music and Film Fest yet to commence, we look for a hook to hang our revelry upon in the meantime — something like, say, the actual Day of Saint Patrick, an extended observance that casts a warm green glow over the finer establisments of our fair Shore all this weekend (and then some).

Whether your preference is a publick house that’s been part of the local landscape for a generation — or a  stripmall tavern that’s been embraced like a fond family heirloom — you’ll find that the festive weekend seldom announces itself with a whisper. Keynoting it all with a robust blast of the bagpipes is Kelly’s Tavern at 43 Route 35 in Neptune City, where the pipes sound beginning at the noon hour on Friday, March 15. With two sessions of live bagpiping on Friday and Saturday (12-2 pm; 5-8 pm) — and a St. Pat’s Sunday that begins in reveille-wth-revelry fashion at 7 am — the neighborhood landmark keeps the momentum going on March 17 with DJ tunes from 4 pm, and a broadcast by radio station 107.1 The Boss that goes live at 11 am.

Over at Kelly’s sister establishment Clancy’s Tavern in Neptune — just a few staggered steps from Asbury city limits, and right across Main Street from the threshold of Ocean Grove — DJ Dave spins “Irish Drinking Music” from 4 pm as a Saturday “St. Patrick’s Eve Pre-Game,” while the live bagpipers play for two sessions (12-2 pm; 4-6 pm) on Sunday, with DJ Tony seeing the night through to 10 pm.

While the victuals vibe has run more  toward vacation cuisine (or an eclectic American experience that’s reflected in the musical menu), Marilyn Schlossbach’s Asbury boardwalk flagship Langosta Lounge continues a newly minty tradition here on the big green weekend, with a Friday/ Saturday double-dose of dexterity from two exemplars of the Shore scene’s blues-rock royalty: harpist Sandy Mack (performing on March 15 as “Sandy O’Mack and His McJamily”) and guitarmeister Billy Hector (supercharging Saturday night as “Billy O’Hector’s Electric Explosion”). Regardless of their bona fides as true sons of the Emerald Isle, these two veteran survivors and signifiers of the Jersey Shore Bar Wars remain consistent crowd pleasers and top-draw attractions at venues up and down the oceanside clubscape. Catch Mr. Mack in his regular Sunday role as patriarch to the extended Jamily on March 17, inside the lobby Soundbooth Lounge at The Asbury Hotel— and check out our archived interviews with Sandy and Billy on our blog site, upperWETside.wordpress.com.

Speaking of Shore blues-rock royalty, couples don’t come much more regalthan the powerhouse partnership of Matt and Eryn O’Ree, the union of two headline-worthy talents that’s served to double the audience’s pleasure and fun on stages that have ranged from theater-scale settings to the most intimate corners of the club scene. On Saturday night, Rooney’s Restaurant on the Long Branch waterfront is the setting as Eryn is joined by some tantalizingly teasered Friends for some sets of her glamorously smoky, torchy vocal signatures. Then on Tuesday, March 19 — in an event that serves to unofficially extend the weekend-long spirit of Irish music heritage into the foothills of the working week — Bon Jovi tour veteran Matt “O’Ree-appears” with his full Band at Asbury Park’s Wonder Bar, as special guests for a Band of Friends salute to the late great Irish-born multi-instrumentalist blues master Rory Gallagher. Catch Matt, Eryn and company when they return to the Wonder Bar stage on May 1st — and connect to our archived interview with Matt O’Ree on upperWETside.wordpress.com.

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IT’S PRIME TIME FOR SOME PRIME CUTS OF (MARC) RIBLER

Marc Ribler (left) and Steven Van Zandt (photo by Rene van Daimen)

Published in The Coaster, Asbury Park NJ, February 21 2019

“He got the bug again,” says Marc Ribler of his friend and frequent collaborator Steven Van Zandt, by way of explaining how that iconic prime mover ‘n shaker of the Shore music scene — a guy who, after all, had diversified his portfolio in recent years to score significant successes in the realms of on-camera acting, Broadway theatrical production, satellite radio, education, philanthropy, and everything this side of branded spaghetti sauce — came to rely on the veteran musician as his music director for a newly resurgent iteration of the Disciples of Soul.

“Steven was working with Darlene Love, and asked me to be her music director for some shows,“ recalls the singer, songwriter and guitarist whose own solo trajectory ranges from charting songs for other vocalists, to earning a reputation as an ace interpreter of signature stuff from the classic rock playbook. “We’d do a few of his compositions at each show — ‘‘Love on the Wrong Side of Town,’ ‘Til the Good Is Gone,’ ‘Forever’ — and we all came to the realization that, wow, there’s a great body of work here.”

“A year later he called me to do a one-off festival in London, and, well…ever sonce then he’s been immersed in his own artistry. Right now his music is the center of his universe.”

Having “toured continuously”  in recent years as Van Zandt’s right-hand lieutenant (as well as co-producer of SVZ’s recording sessions), the Brick Township-based Ribler prepares to hit the international road once again, on the momentum of two new projects with the resurgent Little Steven: the just-issued Soulfire Live! box set/ Blu-Ray package, and the May 2019 release of the all-new studio set Summer of Sorcery.

“If he had somehow misplaced that songwriter within, he’s reconnected with it in a major way,” says Ribler of the bandana’d bandleader whose upcoming itinerary brings him to Australia in April, and various European ports of call in May (with some high profile CD release shows planned for New York and LA). “He’s a man on a mission!”

Before all that, however, Marc Ribler returns, in the company of assembled Friends, to the Asbury Park venue where he’s found happy harbor for the past several years — Tim McLoone’s Supper Club, the sophisticated space-age saucer that hosts not just one but twoRib-sticking repasts in the next couple of weekends. This coming Saturday, February 23, it’s a birthday salute to the life and musical legacy of the “Quiet Beatle,” George Harrison — a retrospective for which Ribler is joined by the in-demand rhythm section of Rich Mercurio (drums) and Jack Daley( bass), as well as by keyboardist Andy Burton from SVZ’s band. Then the following Friday, March 1st, it’s an Electrifying Tribute to The Who that finds the core band joined for the occasion by vocalist Dale Toth.

“Everyone in the band grew up with this music…it’s in our DNA to begin with,” observes the chief Friend  whose repertoire of special salute sets also includes a Traffic tribute performed in partnership with Jukes keyboardist Jeff Kazee. “We’ve been celebrating George’s birthday for five years now…both here, and at the Cutting Room in New York…and we like to do it at least once or twice each year.”

Scheduled for 8 pm, the Harrison set traces the personal and professional journey of a Beatle bandmate whose years in the considerable shadow of Lennon and McCartney saw him emerge over time as “an artist with an incredible sense of self…and a genuine humanity.”

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IT’S A 3-DAY, V-day WEEKEND IN ASBURY TOWN

Published in The Coaster, Asbury Park NJ, February 14 2019

Ah yes, Valentine’s Day — the candy kisses and the cardboard Cupids; the sweet swirl of the sauvignon and the scent of Sunoco station roses; the prix fixe menu and the pure peer pressure of participating in a “romantic” ritual designed to make the unattached feel like they’re little more than…

Whoa, wait a minute now…that’s Anti-Valentine’s talk, and that’s an avenue that was explored to fine effect just this past Wednesday, when the Asbury Hotel hosted its Anti- V-day songwriting competition. But beginning tonight, February 14 — and continuing on through an extended interlude of concert events and variety vaudevilles — the venues in and around Asbury Park have you Casanovas covered in style, with a choice of entertainments (ranging from hyper-current to classic retro) that are all about the Live and the Love.

Among the most highly visible of the weekend’s events are not just one but two major manifestations of the modern art of Burlesque — a Burlesque-a-pades in Loveland revue that commandeers the stage at House of Independents this Friday, and a NJ Burlesque Valentine’s Show that returns to the Asbury on Saturday. Scroll it down for more details on these exemplars of the art form’s “newly re-energized, multi-gender encompassing, even empowering next wave.”

Following up on that theme of everything old being new again, the Valentine’s interval is a time in which the classic sounds of Great American Songbook pop, vintage soul serenades, and timeless jazz jams come once more to the fore — and it’s no coincidence that all of those genres have been well represented at the Brown Performing Arts Center, the intimate storefront space operated by elegant crooner Bill Brown at 312 Main Street in downtown Asbury.

A little too intimate, it can be said, to meet the demands of V-day’s romantic rush — so with that in mind, Brown has re-teamed with the more spacious Mister C’s Bistro on the Allenhurst waterfront, programming a three-night dinner/show residency that finds the singer holding court there on February 14 and 15. Then on Saturday the 16th, Bill’s buddy Bobby Valli (pictured) — brother to Jersey Boy-for-all-seasons Frankie, and a seasoned performer in his own right — closes out the stand, with available seating for any of the three shows ($69 per person) reserved by calling 732-531-3665.

Upside Tim McLoone’s Supper Club on the Asbury boards, one of the greatest non-rock albums of the classic-rock era is celebrated in style on Friday night, when Asbury’s own Chris Pinnella (himself profiled in these pages back in December) channels the legendary Chairman of the Board in a special salute to Sinatra at the Sands, the Rat Pack artifact that found Ol’ Blue Eyes singing, swinging and swaggering at peak powers, backed by fellow Jerseyan Count Basie’s band (including a next-generation arranger by name of Quincy Jones). The 8 pm event — for which Chris has shared that he won’tbe recreating Sinatra’s sign-of-their-times comic monologues — has sold out as we post this, but fans will be able to reconnect with Pinnella as he honors a regional music master of a different era, Billy Joel, at the Asbury Hotel on March 23.

Valentine’s Day proper finds the Supper Club stage playing host to an altogether different act: From Blue to Greene, the acoustic duo that pairs singer-songsmith-guitarist Austin Vuolo with vocalist and multi-instrumentalist Kaela Fanelli. The 6 pm dinner/show event ($49.95) represents the first of two opportunities to catch the twosome this weekend, as they take it downstairs to Robinson Ale House on Saturday night. Continue reading