IT’S PRIME TIME FOR SOME PRIME CUTS OF (MARC) RIBLER

Marc Ribler (left) and Steven Van Zandt (photo by Rene van Daimen)

Published in The Coaster, Asbury Park NJ, February 21 2019

“He got the bug again,” says Marc Ribler of his friend and frequent collaborator Steven Van Zandt, by way of explaining how that iconic prime mover ‘n shaker of the Shore music scene — a guy who, after all, had diversified his portfolio in recent years to score significant successes in the realms of on-camera acting, Broadway theatrical production, satellite radio, education, philanthropy, and everything this side of branded spaghetti sauce — came to rely on the veteran musician as his music director for a newly resurgent iteration of the Disciples of Soul.

“Steven was working with Darlene Love, and asked me to be her music director for some shows,“ recalls the singer, songwriter and guitarist whose own solo trajectory ranges from charting songs for other vocalists, to earning a reputation as an ace interpreter of signature stuff from the classic rock playbook. “We’d do a few of his compositions at each show — ‘‘Love on the Wrong Side of Town,’ ‘Til the Good Is Gone,’ ‘Forever’ — and we all came to the realization that, wow, there’s a great body of work here.”

“A year later he called me to do a one-off festival in London, and, well…ever sonce then he’s been immersed in his own artistry. Right now his music is the center of his universe.”

Having “toured continuously”  in recent years as Van Zandt’s right-hand lieutenant (as well as co-producer of SVZ’s recording sessions), the Brick Township-based Ribler prepares to hit the international road once again, on the momentum of two new projects with the resurgent Little Steven: the just-issued Soulfire Live! box set/ Blu-Ray package, and the May 2019 release of the all-new studio set Summer of Sorcery.

“If he had somehow misplaced that songwriter within, he’s reconnected with it in a major way,” says Ribler of the bandana’d bandleader whose upcoming itinerary brings him to Australia in April, and various European ports of call in May (with some high profile CD release shows planned for New York and LA). “He’s a man on a mission!”

Before all that, however, Marc Ribler returns, in the company of assembled Friends, to the Asbury Park venue where he’s found happy harbor for the past several years — Tim McLoone’s Supper Club, the sophisticated space-age saucer that hosts not just one but twoRib-sticking repasts in the next couple of weekends. This coming Saturday, February 23, it’s a birthday salute to the life and musical legacy of the “Quiet Beatle,” George Harrison — a retrospective for which Ribler is joined by the in-demand rhythm section of Rich Mercurio (drums) and Jack Daley( bass), as well as by keyboardist Andy Burton from SVZ’s band. Then the following Friday, March 1st, it’s an Electrifying Tribute to The Who that finds the core band joined for the occasion by vocalist Dale Toth.

“Everyone in the band grew up with this music…it’s in our DNA to begin with,” observes the chief Friend  whose repertoire of special salute sets also includes a Traffic tribute performed in partnership with Jukes keyboardist Jeff Kazee. “We’ve been celebrating George’s birthday for five years now…both here, and at the Cutting Room in New York…and we like to do it at least once or twice each year.”

Scheduled for 8 pm, the Harrison set traces the personal and professional journey of a Beatle bandmate whose years in the considerable shadow of Lennon and McCartney saw him emerge over time as “an artist with an incredible sense of self…and a genuine humanity.”

Continue reading

IT’S A 3-DAY, V-day WEEKEND IN ASBURY TOWN

Published in The Coaster, Asbury Park NJ, February 14 2019

Ah yes, Valentine’s Day — the candy kisses and the cardboard Cupids; the sweet swirl of the sauvignon and the scent of Sunoco station roses; the prix fixe menu and the pure peer pressure of participating in a “romantic” ritual designed to make the unattached feel like they’re little more than…

Whoa, wait a minute now…that’s Anti-Valentine’s talk, and that’s an avenue that was explored to fine effect just this past Wednesday, when the Asbury Hotel hosted its Anti- V-day songwriting competition. But beginning tonight, February 14 — and continuing on through an extended interlude of concert events and variety vaudevilles — the venues in and around Asbury Park have you Casanovas covered in style, with a choice of entertainments (ranging from hyper-current to classic retro) that are all about the Live and the Love.

Among the most highly visible of the weekend’s events are not just one but two major manifestations of the modern art of Burlesque — a Burlesque-a-pades in Loveland revue that commandeers the stage at House of Independents this Friday, and a NJ Burlesque Valentine’s Show that returns to the Asbury on Saturday. Scroll it down for more details on these exemplars of the art form’s “newly re-energized, multi-gender encompassing, even empowering next wave.”

Following up on that theme of everything old being new again, the Valentine’s interval is a time in which the classic sounds of Great American Songbook pop, vintage soul serenades, and timeless jazz jams come once more to the fore — and it’s no coincidence that all of those genres have been well represented at the Brown Performing Arts Center, the intimate storefront space operated by elegant crooner Bill Brown at 312 Main Street in downtown Asbury.

A little too intimate, it can be said, to meet the demands of V-day’s romantic rush — so with that in mind, Brown has re-teamed with the more spacious Mister C’s Bistro on the Allenhurst waterfront, programming a three-night dinner/show residency that finds the singer holding court there on February 14 and 15. Then on Saturday the 16th, Bill’s buddy Bobby Valli (pictured) — brother to Jersey Boy-for-all-seasons Frankie, and a seasoned performer in his own right — closes out the stand, with available seating for any of the three shows ($69 per person) reserved by calling 732-531-3665.

Upside Tim McLoone’s Supper Club on the Asbury boards, one of the greatest non-rock albums of the classic-rock era is celebrated in style on Friday night, when Asbury’s own Chris Pinnella (himself profiled in these pages back in December) channels the legendary Chairman of the Board in a special salute to Sinatra at the Sands, the Rat Pack artifact that found Ol’ Blue Eyes singing, swinging and swaggering at peak powers, backed by fellow Jerseyan Count Basie’s band (including a next-generation arranger by name of Quincy Jones). The 8 pm event — for which Chris has shared that he won’tbe recreating Sinatra’s sign-of-their-times comic monologues — has sold out as we post this, but fans will be able to reconnect with Pinnella as he honors a regional music master of a different era, Billy Joel, at the Asbury Hotel on March 23.

Valentine’s Day proper finds the Supper Club stage playing host to an altogether different act: From Blue to Greene, the acoustic duo that pairs singer-songsmith-guitarist Austin Vuolo with vocalist and multi-instrumentalist Kaela Fanelli. The 6 pm dinner/show event ($49.95) represents the first of two opportunities to catch the twosome this weekend, as they take it downstairs to Robinson Ale House on Saturday night. Continue reading

AT MONMOUTH U, A FAB FOUR-DAY FORAY INTO A BRIGHT WHITE ALBUM

Published in The Coaster, Asbury Park NJ, November 8 2018

It’s “the anti-Sgt. Pepper” if you will; an audacious, ambitious, eclectic piece of work that “if you surrender to it…batters you around like a shuttlecock” — and that “looms large as a big, brash, bold statement.”

The words are those of Kenneth Womack, Ph.D — Dean of the Wayne D. McMurray School of Humanities and Social Sciences at Monmouth University; award-winning author and critic; in-demand lecturer, and internationally recognized authority on the history, the lasting legacy, and the cultural influence of a little band called The Beatles. And the not-a-Pepper in question?  That would be the album also called The Beatles — a two-disc touchstone that marks the 50th anniversary of its release here in November 2018, and that remains known — due to obvious optics, and lack of any other formal christening — as The White Album.

Even if you’re not accustomed to big, brash, bold statements that arrive in deceptively plain, blank, “no frills” packaging, there’s no denying that the 1968 double-LP remains the great white elephant in the room for a couple of generations of music fans and cultural observers — an inviting canvas that would come to be embraced by both people-pleasing politicians and murderous Mansonites, and a cheerfully challenging opus that dispensed with the candy-colored psychedelia of 1967; re-establishing the Fab Four as a cohesive band, even as it laid the groundwork for the group’s quickly onrushing End of Days.

Beginning TODAY, November 8, and continuing in an extended weekend of events through Sunday, November 11, Monmouth University hosts The Beatles’ The White Album: An International Symposium — the latest in a successful series of academic conferences sponsored by the Bruce Springsteen Archive and Center for American Music at Monmouth; the resource whose director, Eileen Chapman, is both a longtime figure on the Asbury Park music scene and a current member of the city council.

Although The Beatles never played Asbury Park (they did perform a Philadelphia concert that was produced by Convention Hall event promoter Moe Septee), the music-mad city makes its presence felt here on Thursday’s opening day, with a Rock and Roll Walking Tour of local landmarks conducted by authors and Boss authorities Jean Mikle and Stan Goldstein. It’s an encore presentation of a featured attraction from several of the Springsteen-themed conferences hosted previously at Monmouth (including last spring’s salute to Darkness on the Edge of Town), with tickets ($35; see Monmouth.edu/the-white-album) still available, and the two-hour tour commencing at 1 pm from The Wonder Bar (Ocean and Fifth Avenues).

From there, the action moves to the West Long Branch campus of Monmouth U, where the school’s auditoriums and public spaces host an impressive array of Beatles experts and collaborators, as well as an assembly of Shore-based musicians who are raring to share their own musical perspectives on the album of the hour.

Continue reading

STEVE FORBERT: HONORARY SHORECAT IN THE BIG LITTLE CITY

Published in The Coaster, Asbury Park NJ, August 2, 2018 (photo by Alan Messer)

There it was again, just the other day — descending from the supermarket store speakers like a friendly angel; adding a subconscious spring to each shopper’s step with its perky piano-driven promise of “southern kisses” and sneak-on-out romance; blessing each purchase of Entenmann’s Glazed Pop-Ems and Plumpy’s Frozen Calamari with the same cheerful upbeat plea for love beneath sun and stars (or back there“behind the chandelier”) that took it to the Billboard Top Twenty chart in 1979.

Even those patrons of the Neptune Shop-Rite who immediately matched “Romeo’s Tune” with its composer and performer Steve Forbert might not have realized that not only is the veteran music maker “Alive on Arrival” and deliriously active on multiple creative fronts — he could very well be the next guy in the checkout line, having become a full-time Neptune resident some 17 years ago (and prior to that, a frequent flyer to our fair Shore, thanks to the presence of a longstanding Juliet to his Romeo).

For the Grammy nominated native of Meridien, MS who’s a proud inductee of the Mississippi Music Hall of Fame — and whose voice retains its honeydrip willow-weep drawl in conversation (and its fine-grain belt-sander blues-grit in concert), the area served by The Coaster is more than just a place to hang one’s figurative hat. Having written and recorded hundreds of songs since the release of his debut LP a full four decades back, he’s seen his works covered by the likes of Rosanne Cash, James Maddock, Carolyne Mas, Marty Stuart, and Keith Urban — and his established presence on the Asbury Park scene has granted him the local-dude cred to put forth such tunes as “Strange Names (North New Jersey’s Got ‘Em),” “My Seaside Brown-Eyed Girl”— and “Sandy,” a 2013 single that name-checked the communities devastated by that selfsame superstorm (and ended on a hopeful note of rebuild and restore).

Then there was Highway of Sight, the 2011 exhibition (and its 2015 sequel) that commandeered Cookman Avenue’s Art629 Gallery for a intriguing look at an altogether different facet of the musician’s art — a first-rate collection of photographs, showing people and places from one man’s ongoing road trip through the space and the spirit of a blacktop-laced continent. And it was Asbury Park that played a significant part in one of Forbert’s most famous extracurricular endeavors, when he took the stage at the old FastLane to sing Little Richard songs with Cyndi Lauper, then fronting the band Blue Angel — a lark that led to his appearance as Cyndi’s tux-clad beau in the mega-heavy rotation video for “Girls Just Want to Have Fun.”

While he still practices his “glorified hobby” as a lensman, Forbert harbors no illusions about a pursuit in which “you’ve gotta be William Eccleston to be able to do a proper photo book” — and it’s the pursuit of his first and foremost muse that brings him back to the Asbury stage on Friday, August 3, when he pays a visit to the Circuit-side staple Wonder Bar in the midst of a northeastern tour with his band, The New Renditions.

It’s actually a rare full-combo gig on the home front, for a performer whose local appearances in recent years have ranged from duo sets at McLoone’s Supper Club and featured spots at Light of Day concerts, to holding down the Stone Pony SummerStage all by his lonesome, as an opener for Johnny and the Jukes. Backed by an “all Jersey people” organization — Jesse Bardwell (mandolin, guitar), Caleb Estey (drums), Todd Lanka (upright bass), and George Naha (lead guitar) — Forbert promises a retrospective that ranges from the earliest times of his 40-plus years as a troubador, to a preview of his latest album.

Continue reading

MAKIN MUSIC HISTORY, FOR 30 WUNDERBAR YEARS

Williams Honor (Reagan Richards, Gordon Brown) is among the acts of Asbury Park’s musical past/ present/ future convening at the Wonder Bar on Saturday, March 31, as Jersey-legend soundscribe Bob Makin (below, with daughter Bekah) celebrates the 30th anniversary of his go-to column MAKIN WAVES.

(Published in The Coaster, Asbury Park, March 29, 2018)

“I was introduced to The Sounds of Asbury Park in the summer of ‘78, when Lord Gunner played my friend Kelly’s parents’ annual Labor Day Beach Bash,” wrote Bob Makin some years back, in a retrospective series of articles. “My old man tried to turn me onto Springsteen a couple of years before, but I thought Bruce was ‘a big, hairy werewolf with a sore throat’.”

“Little did I know I would become a music journalist, inspired by Springsteen, the Asbury Park music scene and my entertainment editor dad.”

Thirty years after that pivotal summer when he published his first music dispatch — and in a writing career that approaches the threshold of its fifth decade — the veteran reporter is Makin Waves once again, with an all-day bandfest that celebrates the “pearl anniversary” of his column by that name; in the process paying tribute to generations of music makers here in the seaside city that so electrified his Selectric way back when.

Continue reading

COMICS CREATORS FIND SUPERPOWERS IN BUSINESS ALTER EGOS

cliff Rob_wall Originally published on TheStreet.com May 11, 2014

To hear Cliff Galbraith tell it, he might just be the only guy ever to conceal a business text behind a comic book — an act that turns a time-worn cliche on its ear, even as it reinforces the fact that the New Jersey based comics creator keeps up with the latest titles by Gladwell and Ben Horowitz “like they were Game of Thrones.”

With two self-published Crucial Comics titles in circulation, and lordship over a pair of buzz-generating commercial websites, Galbraith could already be said to have enough on his drawing board. But it’s his newly minted status as co-founder of a growing empire of ComiCon events that’s got the veteran cartoonist hitting the books over such topics as subcontracted security, guest accommodations, and the sweet science of customer service.

Cliff and his partner in the Con game — fellow Red Bank, NJ resident and “popculturist” authority Rob Bruce — recently wrapped a successful fourth edition of their Asbury Park ComiCon, a “relatively small” two-day extravaganza that drew some sought-after star talent and thousands of fans to the salty Jersey Shore resort. Just weeks from now, they’ll be doing it all again, during a first-ever New York Comic Fest that commandeers the Westchester County Center in White Plains, NY for a single Saturday on June 14.

Sponsored by the pair’s online outlets 13th Dimension and  Monsters and Robots, the spring 2014 events represent a quantum leap forward from the “microscopic” bowling-alley origins of the first Asbury Park gatherings. At the same time, they remain manageably scaled affairs designed to “promote the people who create comics,” in an age when the major conventions have been effectively hijacked by the entertainment conglomerates behind the top titles, publishers and properties.

 

Continue reading

LEE BLESSING’S NEWEST IS A DOOM WITH A ‘VIEW’

View15Mountain Madness: John Little, Katrina Ferguson, Eva Kaminsky and Michael Zlabinger star in New Jersey Repertory’s world premiere of A VIEW OF THE MOUNTAINS, Lee Blessing’s follow-up to his Pulitzer nominated A WALK IN THE WOODS.  (photo by SuzAnne Barabas)

Back in 1988 — at the tail end of a Cold War that proved pretty fertile fodder for highbrow drama and low-blow satire alike — a playwright by name of Lee Blessing crafted a two-hander that wore its message of human engagement on its sleeve, and took it all the way to Broadway.

A nominee for both a Tony and a Pulitzer Prize — and adapted to TV with its stage cast intact — A Walk in the Woods placed a passionately principled young American arms negotiator named John Honeyman (Sam Waterston), and a wry and worldly old Soviet named Andrey Botvinnik (Robert Prosky), in a neutral-ground setting far from the brinksmanship and blustering of the conference room.

Here in 2014, John Honeyman lives again; not as a John Le Carre sort of weary warrior called back in from the cold, but as the man-out-of-time figure at the center of A View of the Mountains, a follow-up (of sorts) to Woods — as well as a scenario that trades the 20th century arms race for its millennial equivalent (the weapons-grade rhetoric of the amped-up, ramped-up “national debate”), and the sardonic Soviet for a more homegrown antagonist: Honeyman’s Republican son from his first marriage.

As seen in a world premiere engagement currently on display at New Jersey Repertory Company in Long Branch — where previously produced Blessing scripts have included Eleemosynary and WhoresMountains finds the Honeyman character (John Little, adding another role to his gallery of patriarchs in crisis) living with his heiress second wife (Katrina Ferguson) and a teenage son named for the play’s Andrey character (Jon Erik Nielsen platooning with Jared Rush), in an upstate New York retreat framed as a sparsely appointed and highly stylized simulacrum of the real world.

He’s also contending with a conflict that goes beyond mere daddy-issue angst: estranged son Will (Michael Zlabinger) is now a United States Senator who’s been short-listed for the running mate slot in the next presidential election — a resolutely right-wing rising star whose entire career is based on a complete refutation of the father who neglected his original family way back when. Under the direction of Evan Bergman (Saving Kitty, Jericho), things really come to a head when the veteran negotiator turns blackmailer; threatening to rattle a long-fogotten skeleton in the junior Senator’s closet unless he does nothing less than withdraw completely from public life.

Put aside any thoughts of the father-son thing being at the heart of this one-act piece, however — the play packs a thermonuclear punch in the person of Gwynn (Eva Kaminsky), the young pol’s campaign manager wife, and a stridently one-stop generator of negative energy who scans for listening devices, tests food and drinks for poison, threatens to beat and tie up the other characters, treats even her husband with contempt and basically makes the darkly ambitious Lady Macbeth look like dear Little Nell. Blessing writes here with needle-sharp pen and the most slash ‘n burn sort of character dynamics — and Kaminsky takes ownership of the proceedings with a love-to-hate performance that matches the author’s anything-but-subtle style.

The playwright, who made the opening-weekend trip from his California home to downtown Long Branch (on a particularly grim week marked by a leaper’s suicide from the neighborhood’s 500-foot radio tower), spoke to your upperWETside Control Voice prior to the first preview.

Continue reading

9/17: ‘Fake Dave’ Gets Real on River Road

DaveCicirelliGotta Fake It to Make It: Author and Middletown native Dave Cicirelli kicks off the campaign for his just-released FAKEBOOK,Thursday at River Road Books. 

By TOM CHESEK

His adventures include being attacked by a rabid coyote, abduction by an obscure doomsday cult — and forced labor on an Amish farm, as a result of his having toilet-paper’d the farmer’s buggy (he also managed to impregnate and run off with the farmer’s daughter).

He’s Fake Dave Cicirelli, and beginning in October 2009 the real Dave Cicirelli chronicled his ersatz odyssey in an epic series of Facebook posts, keynoted by the sudden announcement that he was quitting his job as a successful and award-winning art director in NYC, in order to embark upon a soul-searching westbound walking sojourn. By the time that the Facebook version of Dave returned to Intercourse, PA “to adopt the Amish way of life…leaving the world of facebook with a heart full of sadness,” he had amassed hundreds of new friends and even a stalker or two — while an increasingly isolated Real Dave was laying low from the world in his former family home.

The River Plaza native tells his double-life story with double-edged candor and humor in the memoir Fakebook: A True Story. Based on Actual Lies, just released today, September 17 by Sourcebooks — and on Thursday evening, September 19, the first-time author comes to River Road Books in Fair Haven for a 7:30 pm reading and signing appearance that promises to reunite the real-world Dave with several of the Facebook friends who played a part, consciously or not, in the social media saga. Your upperWETside correspondent talked with Cicirelli about playful lies and rippling repercussions, before Oprah or Jon could get to him. Read on…

Continue reading