IT’S JUST AROUND THE CORNER: LIGHT OF DAY KEEPS THE AP HOME FIRES LIT

Published in The Coaster, Asbury Park NJ, January 17 2019

To hear the man tell it, “Longevity is a benchmark of greatness” — and given that the speaker is Tony Pallagrosi, the words are no mere fridge-magnet platitude. After all, this is the veteran music scene mover ‘n shaker whose unimpeachable cred extends from his days as one of the cats in the band (The Shots, The Asbury Jukes), to host of some much-missed Shore nightspots (The FastLane, Xanadu), to co-founder of major concert venues and promotion entities (Starland Ballroom, Concerts East), to manager of The Weeklings — and quite possibly all the way to “the other side,” thanks to Asbury Angels, the musical memorial initiative that he chairs.

Pallagrosi, however, isn’t referring to himself, or to any of those aforementioned feathers in his cap, but to the endeavor that may ultimately stand as his most lasting legacy: Light of Day, the music-driven fundraising vehicle that’s  illuminated some of the darkest winter days and nights in this City of Summers for well nigh two decades.

Co-founded by Pallagrosi with music promo/ management pro Bob Benjamin as an awareness resource for Parkinson’s Disease research — and inspired by Benjamin’s own diagnosis with the disorder — the annual slate of star-studded happenings grew out of a 40th birthday party for Bob at the Stone Pony; taking its name from the Springsteen soundtrack song “Just Around the Corner to the Light of Day” on its way to becoming a sprawling affair that’s spanned several continents, major North American cities and additional satellite events throughout the calendar year.

Of course, along the way Light of Day became indelibly identified with the stamp of Benjamin’s long-time friend Bruce Springsteen — not just via the organization’s name, but in the very real presence of The Boss as an onstage participant and de facto ringmaster for the majority of those all-star Bob’s Birthday concerts. As an undeniable draw (and a focal point for some tantalizing will-he-or-won’t-he buzz each year), the Bard of the boardwalk has generously shared the stage with a core cast of frequent-flyer performers (including Joe Grushecky, Willie Nile, and Steve Forbert), as well as drop-in guest stars that have ranged from Southside Johnny, Darlene Love and Gary US Bonds, to Light of Day movie star (plus high-profile person with Parkinson’s) Michael J. Fox, and  The Sopranos’ Vincent Pastore.

While the nonprofit Light of Day Foundation is a year-round entity upon which the sun never sets, the heart and soul of the positively charged enterprise remains LOD Winterfest, the mid-January jamboree of activity that commandeers the stages, storefronts and saloons of Asbury Park during the post-holiday “off season” interlude when most other Shore towns are deep into a long winter’s nap. Having offered up a couple of preliminary pace-setter events on January 13 (see the feature on Bob Burger in last week’s Coaster), the circus comes to town in full force for a long weekend that begins tonight, January 17, with a choice of tuneful entertainments that includes a “Hall of Fame Jam” featuring veteran Bruce drummer Vini Lopez (Langosta Lounge), a special edition of Sandy Mack’s Wonder Jam at the Wonder Bar, and an official kickoff concert at downtown’s House of Independents that spotlights such next-gen talents as Williams Honor and Anthony “Remember Jones” D’Amato.

“No other town this small has such a vibrant music scene,” says Pallagrosi. “And at the end of the day, I want everyone involved.”

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IT’S WHAT’S UP FOR WEEK OF JANUARY 10-16

Published in The Coaster, Asbury Park NJ,January 10 2019

SOUNDS: Big Man’s Birthday at the Headliner 

The old Big Man’s West nightclub may have long predeceased the iconic signifier of the sax who presided over the party, but over on Route 35 South in Neptune, The Headliner keeps said party proliferating, with a seventh annual salute to the enduring spirit of Clarence Clemons — who would have been 77 years old on January 11 — on that selfsame Friday evening. A collection of Jersey’s fave jam-masters is highlighted by the Dead-on interpretations of Splintered Sunlight, with Secret Sound, Woodfish, the Pat Roddy Band, and — in a too-rare local appearance — next-gen bandleader Nick Clemons (pictured). Special guests are rightly promised as well, for the event that floats its first note at 4 pm. Proceeds benefit the Monmouth County SPCA, as well as the nonprofit CFC (Coming Full Circle) Loud  N CLEAR Foundation for recovery support and relapse prevention — and tickets ($25) can be reserved online at bigroad.ticketbud.com.

THEATER: GODSPELL at Jersey Shore Arts 

Long before he composed the songs for the Broadway mega-hit Wicked, Stephen Schwartz gifted America’s great big community stage with Godspell, the youth-powered 1971 perennial based on parables from the Gospels of Matthew and Luke. The show that birthed the hit “Day By Day” puts forth and Age-of-Aquarius message of love and tolerance via an eclectic score that ranges from folk-infused pop to vintage vaudeville — and it’s back on the local stage for one weekend only, in a 2012 revised version that boasted new songs from the award winning composer. Presented January 11-13 at the Palaia Theater inside Ocean Grove’s Jersey Shore Arts Center, it’s a guest production of The Ashley Lauren Foundation Theatre Ensemble, a traveling performance arm of the non-profit organization “dedicated to bringing hope and help to children throughout New Jersey who suffer from cancer.”  Performances are Friday and Saturday at 7:30 pm, with a 2 pm Sunday matinee closing out the engagement, and tickets ($20 adultys; $15 seniors and students) can be reserved online at k4k.booktix.com.

 

SOUNDS: Anthony Krizan Band at the Wonder Bar 

Arriving back in town with the calling cards of his mid-90s tenure in jam-scape hitmakers The Spin Doctors — and a songwriterly sidegig that’s seen him pen successful tunes for Lenny Kravitz, John Waite, and others — Jersey-fresh singer/guitarist/producer Anthony Krizan takes the Wonder Bar stage this Friday evening, January 11, with a band of buddies that includes Asbury’s own Sandy Mack (see last week’s profile in this space). Krizan kollaborator/ ko-headliner and Hammond B3 ace John Ginty — himself a road scholar whose credentials include The Dixie Chicks and The Allman-Betts Band — bolsters the bill, with special guest Marcus Randolph (of his cousin Robert’s Randolph Family Band) keeping it all in the jamily via sit-ins with both bands.

SOUNDS: “Cover Me” at the Stone Pony

It’s “just around the corner” to Light of Day Winterfest,the annual mega-slate of musical benefits that commandeers NJ’s most music-minded municipality next weekend — and on Sunday, January 13, the 2019 edition of LOD sounds an advance keynote with an afternoon event that spotlights some of the region’s top talents on the bar-band and tribute-act circuit. Taking the Stone Ponystage are The Carl Gentry Band (2:30 pm), Clapton tribute Bell Bottom Blues (3:30), Moroccan Sheepherders (4:30), The Weeklings’ Bob Burger (paying homage here to Tom Petty at 5:30), CSN Songs (pictured) performing the sonic signatures of Croby, Stills, Nash AND Young at 6:30, and a 7:45 headline set by Best of the Eagles. Check stoneponyonline.com for available tickets ($18 in advance) — and check back here on January 17, for much MORE on Light of Day activities all around Asbury ACTION Park!

SCREENS: SPRINGSTEEN ON BROADWAY at Monmouth U

The Bruce Springsteen Archives and Center for American Music presents a FREE public screening of the film based on the Boss’s super-successful Broadway solo show, recorded live at the Walter Kerr Theatre and streaming currently on Netflix. It’s a chance to experience the acclaimed production on the big screen of the Pollak Theatre at Monmouth U, with Emmy winning producer and director Thom Zimny appeaing in person for a special extended introduction. The one-time screening event takes place this Sunday, January 13 at 4 pm, with ticket reservations available online and required for entry (limit two reservations per guest). Admission of registered guests begins at 3 pm on a first come/ first served basis (seats are not guaranteed), and non-perishable food items will be accepted in support of The Nest, Monmouth’s food pantry for students in need.

SOUNDS: Albert Lee Band at Tim McLoone’s 

Even if you’ve never heard Albert Lee play, you might have encountered some monumental praise and awe-struck odes to the Brit-born country/ blues “guitarist’s guitarist” from a number of people who are considered guitar-gods in their own right. To watch this veteran best-kept-secret at work is to be convinced beyond a reasonable doubt — and this Sunday night, January 13, Asbury Park receives an exceedingly rare audience with the lightning-powered picker, as Lee and band take it topside at Mr. McLoone’s Supper Club. It’s one of the opening salvos of the 2019 Light of Day Winterfest (about which much more to come in this space) — and it’s an occasion further illuminated by one of our own fave best-kept-secrets of the Shore scenescape: Michael Patrick, ace frontman of the Cash tribute Ring of Fire Band and a savvy songsmith who’s gigging behind his latest, John Wayne Movies. Available reservations for the 7:30 pm show ($25-$35) at timmcloonessupperclub.com.

A HAPPENIN’ HALLO-WEEK, IN AND AROUND ASCARY PARK

Published in The Coaster, Asbury Park NJ, October 25 2018

Let other towns lay claim to being the area’s capital of Christmas cheer; home to the longest running St. Patrick’s Day celebration; scene of the most star-spangled July Fourth display. With dozens of venues in which to dance the witching hour away — and plenty of world renowned boardwalk and boulevards on which to strut one’s carefully costumed stuff — Asbury Park has a lock on the days and nights leading up to the Eve of All Hallows, making the seaside city that so famously “came back from the dead” the undisputed headquarters of Halloween festivity.

It’s an interlude that sounds an early-October keynote with the Asbury Park Zombie Walk, the annual lurch previewed in these pages a few weeks back. And in between there are events like this past Saturday’s Haunted Carousel Dance Party, the gala-ghoul benefit for local charities from which images can be seen at ahauntedcarousel.com. But from the moment the sun goes down tonight, October 25 — and on through the moment the clock strikes midnight on November 1, the Day of the Dead — both the legendary haunted landmarks and the shiny new haunts of the greater Asbury area are where the sights, the sounds, and the seriously fun cosplay can be found.

CONCERTS

On the Asbury boards, the major concert event in the season of the witch is Convention Hell — and in this year’s edition of the Hall-rocking happening, the venerable venue welcomes the jam-circuit juggernaut Pink Talking Fish, a band that — as the name implies — triangulates a tribute to the collected works of Pink Floyd, Talking Heads, and Phish. On Saturday night, the four-piece group and friends will be saluting Floyd’s epic album Dark Side of the Moon in sound and light — and joining in the spirit of dress-up fun are three local favorites portraying acts who appeared at Convention Hall in summers past: Wild Adriatic (as Led Zeppelin), Waiting For Mongo (as James Brown and his Famous Flames), and The Burns (as Jim Morrison and The Doors). Doors open at 7 pm, with tickets ($20 advance; $25 d.o.s.)  at the box office or via apboardwalk.com.

While the Convention Hell show is open only to concertgoers age 21 and up, fans of all ages can take it over to the headquarters of the Asbury Park Music Foundation (in the Lakehouse complex on Lake Avenue) on Saturday night, where from 7 to 11 pm the annual Diamond Concerts Halloween Show presents a bill headlined by the up-and-coming Brick Township-based band The Ones You Forgot. Continue reading

Asbury Park’s a Candy Store of M&M (Music & Movies) during APMFF

Danny De Vito’s at the center of an Asbury Park Music and Film Festival weekend that also brings to town such luminaries as (clockwise from top left) Sublime with Rome, Michael Front  Wyclef Jean, and John Densmore of The Doors.

Published in The Coaster, April 26 2018

It’s another multi-day convergence of sights/ sounds/ scenemaking in a town that’s never been shy about hosting them — from Lollapalooza, Skate & Surf and ATP, to this fall’s much-anticipated inaugural edition of See.Hear.Now. But if the weekend wingding known as the Asbury Park Music & Film Festival truly distinguishes itself from the pack, it’s in the variety of vaudevilles and venues involved; in the commitment to its concept and mission — and in the fact that it keeps itself equally grounded on the hometown turf, as well as the greater entertainment universe beyond.

Now in its fourth annual edition, the ever-evolving keynote to the pre-summer season commandeers the city’s concert halls, hotels, and Circuit landmark nightspots for an a-la-carte experience that runs between Friday, April 27 and Sunday, April 29. And you’re not imagining things if you recall that the event was originally branded the Music IN Film Festival — a name that ties in to the festival’s founding as one which “explores the role of music in film,” with a core mission “to benefit underserved youth in Asbury Park.”

That mission is accomplished through funding raised for the programs of the Asbury Park Music Foundation, the education-oriented nonprofit that relocated recently to the expanded Lakehouse complex on Lake Avenue. Proceeds from the Music & Film Fest benefit the APMF’s partnerships with such city-based entities as the Boys & Girls Club of Monmouth County and Hope Academy Charter School — a range of activities that introduce kids to a love of music through its playing, its recording, and its rich local legacy.

Established in 2015 by then-APMF executive director (and drummer for the alterna-pop band Dentist) Matt Hockenjos, these days the festival is guided by principals that include Sony Pictures Classics co-president Tom Bernard, Grammy nominated photographer-filmmaker Danny Clinch, and Asbury Park Press publisher Tom Donovan. The board of directors, an august group of music biz pros, filmmakers and philanthropists, boasts such names as the Grammy Museum’s Bob Santelli, Batman franchise producer Michael Uslan, and NJ Devils great Jim Dowd.

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DIRDEN ROLLS A LUCKY ‘SEVEN’ WITH HIS DIRECTORIAL DEBUT

Your Blues COLORA familiar face on the Two River Theater stage, Brandon J. Dirden (right) returns as a first-time director, with a production of August Wilson’s SEVEN GUITARS that opens the new Two River season this weekend. 

Last time the Drama Desk looked in on Brandon J. Dirden, the actor was preparing for his starring turn in the Two River Theater world premiere of writer-director Ruben Santiago-Hudson’s Your Blues Ain’t Sweet Like Mine; a project that capped a busy year on the Broadway stage (where he won acclaim as Martin Luther King Jr. in the Tony winning All The Way), the TV screen (a recurring role as Agent Aderholt in the FX series The Americans), and — with wife and frequent co-star Crystal A. Dickinson — the ongoing adventure of new parenthood.

When the native Texan helps Two River Theater Company inaugurate its new season this Saturday, September 12, it will be without Santiago-Hudson, the collaborator who previously directed him in the August Wilson plays Jitney (in Red Bank) and a 2012 production of The Piano Lesson that earned the actor an Obie award. It will, however, be in the spiritual company of the late great African American playwright, whose ten-play “Century Cycle” receives continued exploration by TRTC, with a limited engagement of Seven Guitars that runs through October 4 — and that represents Brandon J. Dirden’s first foray as director. Continue reading

A DREAM CAST, A NIGHTMARE SCENARIO, A SLOW-SIMMERING NOIR AT NJ REP

closure23Gary Cole plays one-man Good Cop/ Bad Cop with Biniam Tekola in CLOSURE, the steamy tropic-set noir drama now in its premiere engagement at New Jersey Repertory Company.

Summertime is noir time — a fact borne out by the programmers of Turner Classic Movies, and by the crime-thriller authors who rush to ready their latest page-flippers for beach-blanket consumption. There are many more of us for whom the seemingly celebratory season of sun and surf instead conjures thoughts of temperatures-rising passions “touched by fire;” of lost hours spent disappearing into the crowd and cacophony of a blackout night-before…and of the harsh morning-after light that hammers its way past the dusty venetian-blind barricades of a small and stifling room.

Here in what’s normally a season of rest for new dramatic productions in the region, New Jersey Repertory Company has stepped up with a slowly simmering noir scenario that’s in sync with the coastal currents, cocktail-fueled confessions and sudden storms of a Jersey Shore July — one that jettisons the signature concrete settings of the naked city for the patio furniture, potted palms, pastels and deceptively laid-back pacing of a small (and not terribly specific) Caribbean resort island.

Written by Richard Dresser (Rounding Third) and tautly directed by Joe Cacaci of of LA’s legendary Playwrights Kitchen Ensemble, the regional premiere Closure makes for a tense but tight fit with the similarly claustrophobic confines of the Long Branch playhouse’s shadow-box stage. Its quartet of characters — the parents of a college-age young woman who’s gone missing; the American expatriate police detective charged with investigating the disappearance; a “person of interest” hotel worker — are castaways in a curiously depopulated place that offers little room for hiding, and no apparent options for escape from the personal demons that cruise like sharks in the unseen waters beyond. Too caught up in the lethally languid spell of this oppressive “paradise” to do what they know to be the right thing, they make another excuse, put another drink on the tab — and help turn what could have been a turgid potboiler into a darkly compelling piece of theater.

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SWEET ‘BLUES’ ON RED BANK’S UPPER WEST SIDE

BrandonJDirdenBroadway and TV actor Brandon J. Dirden returns to Red Bank as star of YOUR BLUES AIN’T SWEET LIKE MINE, the drama by Tony winner Ruben Santiago-Hudson that begins its world premiere engagement this weekend.

It’s been quite a year-and-change for Brandon J. Dirden, the Obie award winner whose previous projects for Two River Theater Company include August Wilson’s Jitney, and Suzan-Lori Parks’ Topdog/Underdog, in which he starred alongside his brother Jason. The 35-year old actor made a big impression on Broadway — as Dr. Martin Luther King, no less (and alongside Bryan Cranston’s LBJ) — in the Tony-winning smash All The Way. A role on the FX series The Americans found him becoming a regular presence as FBI Agent Aderholt — and somewhere along that timeline, he and his wife, actress Crystal Anne Dickinson, became the parents of a baby boy.

When Brandon Dirden returns to Red Bank this weekend, he’ll be reuniting with his Jitney director — Tony winning actor (and August Wilson authority) Ruben Santiago-Hudson, who also steered Dirden to that Obie in a 2012 production of Wilson’s The Piano Lesson. The vehicle for their collaboration this time is Your Blues Ain’t Sweet Like Mine — an original script by Santiago-Hudson that stands as the second of three shows making their world premiere on Bridge Avenue this spring.

Merritt Janson co-stars as Judith, a well-to-do Manhattanite whose encounter with homeless-shelter staffer Zeke (Dirden) sparks an Upper West Side dinner party invitation that “brings an unlikely group together, spawning a passionate and explosive debate on America’s relationship to race.” Andrew Hovelson, Roslyn Ruff and Charles Weldon complete the cast, and your upperWETside Control Voice caught up with Brandon J. Dirden as Your Blues prepped for its first preview this Saturday, April 11.

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A RUMSON SCREEN STAR’S CHARACTER THERAPY

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Movie-TV actress (and Rumson mom) Siobhan Fallon Hogan…seen here with fellow regular Matt Dillon in the new Fox TV series WAYWARD PINES…returns to the stage of Two River Theater this Saturday with her sold-out solo show, ACTING OUT.

(Originally published on RedBankGreen.com, February 26, 2015)

Hers is a face you’ve likely encountered in and around her home on the Greater Red Bank Green, where she’s apt to be sighted at one of the schools her kids attend — as well as many of the staple sites of local community life.

A quick safari through the channel guide can match that face with a whole streaming smorgasbord of well-known movies and TV shows, from Seinfeld (she was Elaine’s roommate Tina), Men in Black (she was the alien farmer’s wife) and Forrest Gump (she played Dorothy the school bus driver), to Danish director Lars Von Trier’s arthouse oddity Dogville, and under-appreciated items like New in Town with Renee Zellweger. Not to forget a stint as a cast member on Saturday Night Live.

Expect to see a bit more of her. Beginning this May, Siobhan Fallon Hogan, a Rumson resident of 10 years, will be a regular presence onWayward Pines, the Fox TV “event thriller” limited series (starring Matt Dillon, Terrence Howard and an ensemble supporting cast) from producer M. Night Shyamalan. Before that, though, Fallon Hogan returns to the stage of Red Bank’s Two River Theater — where several years back she debuted an original one-woman show entitled The Salty Sea PTA — with an all new showcase for her multi-tasking character skills.

Written by its star and entitled Acting Out!, the all-new comic solo quickly sold out its two scheduled performances on Saturday, with an encore presentation now added for Thursday, March 12. The Drama Desk atredbankgreen managed to catch up with the beyond-busy actor, mom and playwright, prior to a brief but well-deserved beach vaykay — and between a weathery year of shooting in Canada, and a run of rehearsals here on the icy banks of the Navesink.

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