REG IS MAKIN A GLORIOUS NOISE, AT 4-DAY MUSIC FEST

REG SATANA of Defiance Engine and 19DRT (photo by Judi Hull)

Published in The Coaster (Asbury Park, NJ) and The Link (Long Branch, NJ), May 16, 2019

Although there doesn’t seem to be such a thing as a traditionally recommended gift for a 31st anniversary — most sources have it as somewhere between pearl and coral — that’s hardly any excuse for music fans to skip the momentous milestone occasion unfolding on the famous stage of a landmark rock bar this weekend. In fact, the official designation of the first annual Makin Waves Fest can be regarded as a Year One celebration that merits a gift of paper — namely, the legal-tender currency that allows access to one of the must-see events of the season.

The occasion is the latest birthday for the beloved baby of entertainment journalist Bob Makin — which is to say Makin Waves, the long-running, award-winning music column that appears in The Aquarian Weekly, New Jersey Stage and other Jersey-based outlets. The veteran news reporter has staked out a ringside seat for every significant development on the Shore scene throughout the past few decades; interviewing scores of music makers, promoting live shows, and in the process helping to raise many thousands of dollars for children’s charities, arts education, community food banks, and other non-profit entities.

This time out, the designated beneficiary is one that’s unabashedly close to home, as the inaugural Makin Waves Fest is a “Save the Wave” endeavor designed to help the multi-media venture “sustain itself due to a lack of revenue and funds.” To that end, Makin has partnered with a panorama of co-sponsors (including Wave Resort, BlowUpRadio.com, and Tito’s Vodka, facilitator of featured drink specials for the four-day fest) — in addition to primary host venue The Brighton Bar, the Long Branch-based outpost of the innovative and fiercely indie that carried the torch of original music, when other stages had gone dark, or surrendered to the demands of the cover-band dinosaurs and the disco ball. Under the stewardship of co-owner, public schoolteacher and seasoned punk rocker Greg Macolino, the West End wonder at 121 Brighton Avenue soldiers on into our strange new century; staying connected to its own wall-of-fame legacy, even as it nurtures another new generation of bands, off-beat comics, and other vanguard vaudevillians.

Look closer at Makin’s list of event partners and you’ll notice the banner of “Reg Satana Presents,” a name that denotes the (more or less) official entry into the band booking biz for a figure who is herself no stranger to the Brighton stage: thunderdome drummer, record label exec, pop culture authority and supermom Reg “Satana” Hogan.

“Bob suggested that I help him line up bands for the Saturday show,” explains the scene stalwart whose extensive resume includes stints with fondly recalled bands like Dimebag, Solarized, Freak Theater, and the nationally renowned Daisycutter. “I was happy to do it, since I’ve done some occasional shows at The Saint, and I’m glad to be playing it…twice!”

Reg (whose stage name pays tribute to the late great Tura Satana, one-of-a-kind star of the 1960s cinema classic Faster Pussycat! Kill! Kill!) appears as a member of two distinct power trios, during the May 18 multi-band blitz that kicks off at 3 pm. The surgically jagged noise-rock incursions of Defiance Engine find the drummer teaming with her husband, bassist-vocalist Jim “Rex” Hogan (with whom she co-founded the now-legendary 1980s/90s label Heat Blast Records), as well as with guitarist Rich Walter. It should be noted that, in addition, to their string-throttling skills, the two guys in the band are ace administrators of a pair of must-view Facebook groups for likeminded fans: Rich as curator of NJ Hardcore Reunion, and Rex as all-seeing watcher over the ever-growing online community known as Noise Rock Now!

The drumminatrix returns to the driver’s seat with the more recently minted 19DRT (a semiprivate-joke reference to a person or thing being so old, that they date back to the year “19-dirt”), in which “I play ‘Sammy’ to my fellow Rat Packers, Frank (Burdynski) and Dean (Monjoy).” Flexing her promoter muscles — and tying in to the day’s theme of bands who boast a connection to the fabled history of the Brighton — Reg also brings aboard the five-piece Full On Empty (featuring Keith Ackerman of The Atomic Bitchwax) and Solace (featuring Tommy Southard and Rob Hultz of the high-profile national recording act Godspeed).

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MACK DADDY: THE ‘JAMILY’ PATRIARCH’S AT THE HEAD OF THE TABLE IN JANUARY

Published in The Coaster, Asbury Park NJ, January 3 2019

For a couple of generations’ worth of Shore music fans, he’s a scene stalwart and a living landmark whose presence remains every bit as reassuring as a favorite club or neighborhood watering hole. To his fellow music makers, he’s the go-to man for all manner of sessions and sitting-in situations; a blues harp ace who can stake out harmonious common ground with acoustic old-schoolers, supercharged axslingers, roots rockers and alt-Americana songsmiths alike — or as local radio linchpin Rich Robinson said, “he could sit in with anybody like he’s played with them forever.”.

But perhaps above all else, Sanford “Sandy” Mack is the keeper of a weekly ritual that rivals any family’s most cherished Sunday-sauce tradition. At 4 pm, during every so-called “day of rest” on the calendar, an extended “jamily” of musical regulars, guest players, fans, friends, and drop-in passersby convenes inside the lobby lounge of the Asbury Hotel for a little gathering known as Sunday Jam— a lovably loose but enviably organized afternoon-into-evening that offers up a sonic smorgasbord of danceable Dead, concise classics, and some often wild workouts on things you’d least expect. All of it presided over by Mr. Mack, the patriarch of this Jamily and the founder of the feast that’s been an Asbury Park fixture for the better part of a decade.

“I’ve been doing Sundays around town for about eight years now,” says Mack, speaking amid the game tables, ultra-designey bar and conversation pit of The Asbury’s Soundbooth Lounge. “I started at Asbury Blues, and continued there when it became The Press Room…it was the first place where I ever did Grateful Dead music…and then (Stone Pony honcho) Kyle Brendle asked me if I would do a Wonder Jam event each week at the Wonder Bar.”

Those Sunday sessions at Lance and Debbie’s Circuit landmark became the stuff of latter-day legend in themselves; happenings that generated their own momentum, drew a fairly fervent fanbase, and soon had a whole lot of top-shelf talents expressing a desire to sit in. But when it came time once again to relocate the moveable feast, Mack was momentarily at a loss as to where to go next.

“I was curious about The Asbury…it didn’t look like my kind of place;; kind of upper crusty, you know…but I reached out to them,” he recalls. “They originally gave me three dates, to see what happens…that was a year and a half ago, and as you can see we’re still going strong!”

Sandy Mack will once more sit at the head of the figurative table this Soundbooth Sunday, January 6 — but before that, the harpist and a crew of his fellow Jam-mates will be performing a very special gig that’s required an unusual degree of rehearsal: a set paying tribute to The Allman Brothers, scheduled as part of A Celebration of Jam Bands.

Going up this Friday, January 4 at Asbury Lanes (where Mack and company were one of the first acts to play the reborn bowl-a-rama in a “soft opening” event last spring), the program further features the Grateful channelings of The Cosmic Jerry Band, as well as a Phish tribute featuring members of Secret Sound.

It also represents a return to the Duane/Gregg catalog for Mack, who teamed with Marc Ribler for a classic Allmans tribute a couple of years back. Joining in for the occasion will be Jam standby Mike Flynn, key man Arne Wendt, guitarist Big John Perry,  plus bassists Mike Caruso and Mike McKernan, drummers Kevin Johnson and Dan Donovan, and special guest Matt O’Ree. Stu Coogan of 90.5 The Night Brookdale Public Radio hosts the tenpins taproom throwdown, with doors at 7 pm and admission a positively spit-take-inducing five bucks.

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