The forgotten Quality Comics hero THE SNIPER stands as a Golden Age feather in the cap of Jacob “Jay” Landau, in the decades before he became a noted educator, illustrator and fine art printmaker. A retrospective of Landau’s war-themed work is on display at NJ’s Monmouth University, April 10 through 24.
Originally published on 13th Dimension, April 6, 2014
It rushes at you like a chaos of riderless horses. Lunges for your gut with fixed bayonet. Flails a desperately groping hand that causes you to shrink back a step, even as you wonder if there’s anything you can do to ease the epic anguish of the twisted figures before you.
When encountered for the first time, the lithographs, woodcuts and drawings of the late artist Jacob Landau can be a jarring thing to behold — a stark and elegant/ugly plane of Holocaust tableaux; visions of Dante’s circles of Hell and the insomniac fables of E.T.A. Hoffmann. Scenes of displacement and despair that nonetheless pulse with the faint heartbeat of a stoic humanism — turning proud General Lee to a somber shadow, and Mark Twain to Edgar Allan Poe.
The artist’s passionately held, lifelong anti-war beliefs course through A Judgment of War: Selected Works by Jacob Landau, a retrospective exhibit of works hosted in the seminar room of the Monmouth University library, and opening with a 4:30 pm reception on Thursday, April 10. Curated by MU’s Scott Knauer and Susan Douglass, the installation covers several of the works that Landau (1917-2001), a longtime resident of the Monmouth County, NJ artist community in Roosevelt, is noted for among fine art experts. It also folds in some previously little-explored corners of the artist’s early career — from his stint as art director and editor of wartime military magazines, to the Hitler-punching exploits of America’s most super of soldiers, Captain America.
Young Landau’s involvement, in the creator-run shop overseen by Joe Simon and Jack Kirby for the first ten issues of Cap’s title, is among the topics that will be discussed (along with The Sniper, a rifle-toting Robin Hood appearing in Military Comics, the Quality title that introduced Blackhawk to the world) by Steven Brower, the award winning designer, author and former creative director of PRINT magazine. Brower — who wrote this vanguard study of Landau’s comix connection, and whose other writings on the topic have included this illuminating piece on Kirby’s photocollage background experiments, and this fond farewell interview with the great Joe Kubert — comes to Monmouth’s West Long Branch, NJ campus on April 17 for a first-ever talk about Jacob Landau’s mystery-shrouded career as a superhero comic book artist.
Your upperWETside Control Voice spoke to Steven Brower on Landau’s brief but fondly recalled romance with the comics business, and the ways in which sequential storytelling continued to impact the artist’s later work (and perhaps, vice versa).