IT’S JUST AROUND THE CORNER: LIGHT OF DAY KEEPS THE AP HOME FIRES LIT

Published in The Coaster, Asbury Park NJ, January 17 2019

To hear the man tell it, “Longevity is a benchmark of greatness” — and given that the speaker is Tony Pallagrosi, the words are no mere fridge-magnet platitude. After all, this is the veteran music scene mover ‘n shaker whose unimpeachable cred extends from his days as one of the cats in the band (The Shots, The Asbury Jukes), to host of some much-missed Shore nightspots (The FastLane, Xanadu), to co-founder of major concert venues and promotion entities (Starland Ballroom, Concerts East), to manager of The Weeklings — and quite possibly all the way to “the other side,” thanks to Asbury Angels, the musical memorial initiative that he chairs.

Pallagrosi, however, isn’t referring to himself, or to any of those aforementioned feathers in his cap, but to the endeavor that may ultimately stand as his most lasting legacy: Light of Day, the music-driven fundraising vehicle that’s  illuminated some of the darkest winter days and nights in this City of Summers for well nigh two decades.

Co-founded by Pallagrosi with music promo/ management pro Bob Benjamin as an awareness resource for Parkinson’s Disease research — and inspired by Benjamin’s own diagnosis with the disorder — the annual slate of star-studded happenings grew out of a 40th birthday party for Bob at the Stone Pony; taking its name from the Springsteen soundtrack song “Just Around the Corner to the Light of Day” on its way to becoming a sprawling affair that’s spanned several continents, major North American cities and additional satellite events throughout the calendar year.

Of course, along the way Light of Day became indelibly identified with the stamp of Benjamin’s long-time friend Bruce Springsteen — not just via the organization’s name, but in the very real presence of The Boss as an onstage participant and de facto ringmaster for the majority of those all-star Bob’s Birthday concerts. As an undeniable draw (and a focal point for some tantalizing will-he-or-won’t-he buzz each year), the Bard of the boardwalk has generously shared the stage with a core cast of frequent-flyer performers (including Joe Grushecky, Willie Nile, and Steve Forbert), as well as drop-in guest stars that have ranged from Southside Johnny, Darlene Love and Gary US Bonds, to Light of Day movie star (plus high-profile person with Parkinson’s) Michael J. Fox, and  The Sopranos’ Vincent Pastore.

While the nonprofit Light of Day Foundation is a year-round entity upon which the sun never sets, the heart and soul of the positively charged enterprise remains LOD Winterfest, the mid-January jamboree of activity that commandeers the stages, storefronts and saloons of Asbury Park during the post-holiday “off season” interlude when most other Shore towns are deep into a long winter’s nap. Having offered up a couple of preliminary pace-setter events on January 13 (see the feature on Bob Burger in last week’s Coaster), the circus comes to town in full force for a long weekend that begins tonight, January 17, with a choice of tuneful entertainments that includes a “Hall of Fame Jam” featuring veteran Bruce drummer Vini Lopez (Langosta Lounge), a special edition of Sandy Mack’s Wonder Jam at the Wonder Bar, and an official kickoff concert at downtown’s House of Independents that spotlights such next-gen talents as Williams Honor and Anthony “Remember Jones” D’Amato.

“No other town this small has such a vibrant music scene,” says Pallagrosi. “And at the end of the day, I want everyone involved.”

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CRENSHAW BY THE ‘SHAW,’ AS SONGWRITERS RETURNS TO MU

MarshallCrenshawMarshall Crenshaw joins a couple of Jersey Joes, a David Jo’ and MO’ in a new edition of Songwriters by the Sea, March 29 at Monmouth University.

Originally published on Speak Into My Good Eye, 3/24/14

With a pro music career that goes back more than 30 years — a career keynoted by a stint as John Lennon in the touring company of Beatlemania, and further bookmarked by his portrayal of Buddy Holly in the movie La Bamba — Marshall Crenshaw has assembled the kind of catalog that most singer-songwriters would give the right side of their brain for (“Someday Someway,” “Whenever You’re On My Mind,” “You’re My Favorite Waste of Time”); attracting interpreters that range from Ronnie Spector to Bette Midler, and writing or co-writing standout stuff for the Gin Blossoms (“Til I Hear It From You”) and the one and only John C. Reilly (“Walk Hard”). The Detroit native has done it all with a relaxed and unpretentious delivery, an understated (and underrated) rock guitar style, a self-effacing sense of humor and a fairly awesome passion for pop music — a set of skills that he’ll be bringing to the stage of the Pollak Theatre at Monmouth University this Saturday, March 29.

The latest in a series of Songwriters by the Sea events hosted by Jersey scene veterans Joe D’Urso and Joe Rapolla, the 8 p.m. concert marks another Shore encore for the guy who recorded a live DVD at The Stone Pony in 2003, who played a memorably intimate show at a neighborhood church in Atlantic Highlands a few years back, and who chose to record his contribution to the La Bamba soundtrack at a downtown Long Branch studio. It’s a natural forum for an artist whose spontaneous ear for a fun cover song (MC5! Jo Stafford! Left Banke! ABBA!), ability to rethink a familiar catalog favorite, and seemingly effortless flair for new and perfect pop songs are very much in evidence on a new series of subscription-only vinyl EPs, merched from his official website.

Crenshaw’s also found another outlet for his encyclopaedic mastery of popular music in The Bottomless Pit, the radio program he’s hosted on WFUV out of New York — a sideline gig that he shares in common with his contemporary and co-star in the March 29 Songwriters session: David Johansen, curator and caretaker of The Mansion of Fun on Sirius XM Radio. From his supercharged takes on Sonny Boy Williamson and Archie Bell during his Doll’d-up days as a proto-punk godfather, to his folk-blues field excursions into Memphis Minnie and more with The Harry Smiths, and his retro-rocketing career trajectory as alter ego Buster Poindexter (an act that he’s returned to with some highly regarded small-combo sets at NYC’s Cafe Carlyle), David Jo has always been the man with the song for every occasion. His 1980s sets at such long-gone Central Jersey joints as the Fast Lane, Royal Manor and Fountain Casino reinforced his acumen as a natural entertainer, and cut his anthemic guitar-driven originals like “Funky But Chic” and “Personality Crisis” with raucous and exhilarating whirls with oldies from The Animals, The Foundations and The Four Tops. A frequent “Evening With” attraction at the Brighton Bar and other regional rooms, the Staten Island stalwart makes an encore trip to the Songwriters circle in the company of his longtime guitarist Brian Koonin.

The two Joes and their two 60-something guests will be joined by a third singer-songwriter who’s been known to play very well with others: Allison Moorer, the NY-based alt-country vocalist whose classic voice is fortified by her covertune acumen (Patti Smith’s “Dancing Barefoot” among others), collaborations (everyone from Buddy Miller to Kid Rock), credentials (both an Oscar and a Grammy nom), and familial connections (she’s the wife of Steve Earle, and the sister of Shelby Lynne). The 8 p.m. program is rounded out by three homegrown talents from Monmouth U — Bryan Haring, Erin Holmes and Natalie Zeller. Your upperWETside Control Voice rang up Marshall Crenshaw to talk about casual concerts, covertune conundrums, and corporate cubbyholes.

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