FEAR-FREE DENTISTRY, AS A FAVE BAND MAKES AN ASBURY HOMECOMING

Published in The Coaster (Asbury Park, NJ) and The Link (Long Branch, NJ), April 4, 2019

Their music has been summarized, analyzed, and characterized as “dreamy,” “sun-dappled,” “saccharine,” “seductive,” “indie-pop jangle,” “retro-pop smooth,” “California surf-rock,” and (this, our favorite from the Aquarian’s John Pfeiffer) “beach-breaking Fujiwaras that roll from choppy, pop punk kick outs to hot-dogging groundswells of millennialism angst.”

The only thing that we have to add to the growing body of words devoted to Dentist is that, while Dentist hits all the right notes regarding the crucial D.I.Y. work ethic of the indie rock arena, the Shore-based trio is not so much a “garage” band as it is carport: airier, breezier, open to the light. A state of mind and an attitude that’s less about dark, cluttered corners and grease-stained workbenches and outdated calendars; more about sleek modern lines and high visibility — plus the wherewithal to just drop everything, get in the car, and take to the beckoning road.

When they’re out there on that road — which they are a very good deal of the time — the team of Emily Bornemann (lead vocals, bass),  Justin Bornemann (guitars), and Matt Hockenjos (drums) has assumed the role of roving ambassadors for their home base of Asbury Park; a function they’ve fulfilled to a greater extent than any other combo on the contemporary scene, and a real ear-opener for audiences to whom their stripped-down songcraft is a delightfully surprising alternative to the traditional notion of the E Street/Jukes big-band Template of Soul.

“We definitely always tell them we’re from Asbury Park,” says Hockenjos, himself a city resident whose prior involvement with the Asbury Park Music Foundation — for whom he played a pivotal role in the establishment of the Asbury Park Music and Film Festival — found the nonprofit organization expanding its educational and outreach activities within the community at large (and in a big world beyond that stood to benefit from being educated on the diverse array of sounds emanating from that music-mad city by the sea).

In a land where even a rave review on NPR stated that “they’re from Asbury Park New Jersey, and I don’t even hold that against them,” the members of Dentist have their work cut out for them, in terms of dispelling outmoded preconceptions about Jersey music, female-fronted acts, and the proper way to prosecute a rock-group career amid the shifting quicksands of the millennial music biz. But for the Bradley Beach-based Bornemanns and Mr. Matt, the band has been Priority One within the past few years; an interlude that has seen Dentist release its second and third acclaimed albums, produce numerous videos for songs like “Meet You There (in Delaware),” “Awful,” and “The Latter,” make several wide-ranging tours across the North American continent, and become a regular presence at the annual Austin, TX-based South by Southwest (SXSW) Festival.

Having been named by Mercury News as one of the Top Ten Bands at SXSW in 2018, Dentist returned this past March to Austin for a third time — their first as an “official” act within a scene in which, according to Justin, “there’s a ton of UN-official shows going on all over the place…the festival’s getting better at allowing that sort of thing.” The madcap month also featured gigs in Pittsburgh, Cincinnatti, Fort Worth, Lawrence (their second time around in that University of Kansas host city), Denver, and Boise.

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STRICTLY BALLROOM: KEITH ROTH MARKS AN ELECTRIC ANNIVERSARY

Published in The Coaster, Asbury Park NJ, December 20 2018

“The thing about those years before the internet, is that it was so much more fun seeking out the info instead of finding it online,” observes Keith Roth of the crucial interlude that straddled the heyday of the arena-rock goliaths, and the rise of the scrappy punk bands who dared to topple the big guys to earth.

“You would read CREEM Magazine, you would see what your classmates and your older brother had in their collection…and every Friday, you went to the local Korvettes store, where they had a punk rock wall in their record department!”

“I grew up in the Bronx…I mean, the first album I bought with my own money was The Dictators Go Girl Crazy,” says the 52-year old resident of Tinton Falls, in reference to the 1975 masterpiece of cheerfully offensive outer-boroughs wrestle-punk slobrock. “And when I moved to New Jersey, I kind of assumed that everybody knew who the MC5 was!”

As it turned out, not everyone in the suburban Jersey milieu could automatically name the band who did “Kick Out the Jams” on demand. And so, the aspiring rock star and record mogul Keith Roth became a man on a self-appointed mission; a calling to elucidate, illuminate and educate his new neighbors as to the rich legacy of rock and roll music’s most frantically fertile period — that beyond-the-Beatles/ way-after-Woodstock moment when classic tour-gods traversed the skies in custom jets and landed luxury automobiles in hotel pools; when the glittering stars of “glam” gleefully pushed at every pop-culture boundary of gender roles and sexual identity; when the music’s gigantic tent simultaneously housed symphonically inclined artistes, meat-and-potatoes traditionalists, and those lords and ladies of mischief who wanted nothing more than to see that big top come crashing down.

The vehicle for Roth’s supercharged passions was The Electric Ballroom, a weekly blast of words and wax that marked its twentieth year on the air (Sunday nights on 95.9 WRAT-FM out of Lake Como) this past October — and that celebrates the milestone with a special Anniversary Party next Sunday, December 30; a ringing out of the fast-fading year that finds its brick-and-mortar Ballroom inside the all-purpose auditorium of downtown Asbury’s House of Independents.

Scheduled to get underway at 7 pm, the multi-band blast is a presentation of Pat Schiavino’s Asbury Underground brand, one that represents an expansion of the twice yearly free festival of storefront music and art (returning in January with an edition keyed to Light of Day 2019, about which more to come in this space) into the realm of special concert events. As such, it’s a showcase for Roth, his own band Frankenstein 3000, and some of his favorite regional or international acts — a chance to take stock, before sprinting ahead to the next waltz on the dance card.

“This event is going to be run pretty tightly and quickly,” observes Roth of the live show; contrasting the onstage action with the Sunday-sauce studio affair that, after all these years, “follows no format…we could have (legendary Dolemite star) Rudy Ray Moore one week, and one of the Sex Pistols the next. It’s whatever’s cool; we don’t bother with playlists…so the format is that there is no format!”

All in a night’s work for an endeavor that represented “a baptism of fire” for its host back in the late 1990s; a project in which “we did everything wrong the first night…and for our first guest, we had a vampire. An actual vampire.”

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