DECEMBER IN MUSIC-MAD ASBURY PARK IS A SONIC SAMPLER!

Performers appearing in holiday-themed concerts this month include top row, L-R: New Narratives (Asbury Lanes, Dec. 6), Rachel Ana Dobken (Stone Pony, Dec. 6), Brian Kirk (Stone Pony, Dec. 7), Rev. Horton Heat (Asbury Lanes, Dec. 7), Jody Joseph (Stone Pony, Dec. 8), Layonne Holmes (Paramount Theatre, Dec. 8; McLoone’s Supper Club, Dec. 20); bottom row L-R: Jo Wymer (The Saint, Dec. 15), Chris Pinnella (McLoone’s, Dec. 15 & 21), La Bamba (Stone Pony, Dec. 20), John Eddie (Wonder Bar, Dec. 21), P-Dub (Langosta Lounge, Dec. 22), Happy Fits (House of Independents, Dec. 20 & 21)

Published in The Coaster (Asbury Park, NJ) and The Link (Long Branch, NJ), December 5, 2019

 While it’s maybe a tad too early to anoint Asbury Park as a regional Capital of Christmas, try telling that to any of the multitudes who lined up outside Convention Hall this past Saturday, when some of the scene’s favorite makers of locally sourced, certified organic music (highlighted by Remember Jones, following up a big Back to Black Friday gig at the Pony) flipped the switch on another souped-up Santa sleighload of seasonal sounds, here in this historic city of summers.

Of course, nobody hits the latter-day circuit here in this music-mad town expecting such a thing as a Silent Night — and the holiday interlude is no exception, as the season’s traditional hymns, choral cantatas and orchestral chestnuts are given a Santa-run for their money by a set of signature sounds that boast a decidedly more jingle-bell raucous bent. It’s an eclectic advent-calendar countdown that begins in earnest this weekend — and, as becomes abundantly clear, doesn’t necessarily let up when the tree hits the beach dunes or curb.

THE BIG ONE

Back for a second annual go-round as The Hottest Ticket in Town, the all-Shore/ all-star jinglejam known as A Very Asbury Holiday Show commandeers the Paramount Theatre proscenium on Sunday, December 8 for a 2019 sequel to last year’s sold-out inaugrual edition. Produced by those most proactive preservers and promoters of the city’s principal export — that is, The Asbury Park Music Foundation — the early evening extravaganza convenes another jukebox Justice League of performers whose Asbury roots run deep. It’s a multi-generational mashup that boats some of the living-legend linchpins of the SOAP scene (JT Bowen, Billy Hector, Layonne Holmes, Lance Larson, Lisa Lowell), next-wave singer/ songsmiths (Emily Grove, Anthony Krizan, Williams Honor), and some of the true master entertainers of the Shore clubscape (Pat Guadagno, Jillian Rhys McCoy, Pat Roddy, Deseree Spinks, Eddie Testa).

All this, plus a special set by the “Grooveangelicyulegasmicfunknsoulicious” force that is Everett Bradley’s Holidelic; the debut of the new song “Gonna Be Christmas” by The Weeklings, members of 60s heavyweights Vanilla Fudge and The Rascals; a big house band (led by music director Tony Perruso) boasting veterans of such acts as the Jukes, Joe Jackson and Patti Smith; plus returning co-hosts Lee Mrowicki and WABC-TV newscaster Michelle Charlesworth (joined by 107.1 The Boss deejay Michele Amabile Angermiller) handling the play-by-play. It’s dedicated to the memory of Asbury scene stalwart Kerry Layton, with proceeds going to benefit the community programs of the APMF, Mercy Center, Jewish Family and Children’s Services, and Boys & Girls Clubs of Monmouth County (there’s also an invitation to donate new unwrapped items to the Asbury Park Toy Drive). Info on available tickets can be had at asburyparkmusiclives.org.

SPECIAL SOMETHINGS

The December yesterdays when the likes of Bing Crosby, Perry Como, Andy Williams, and The King Family aired their annual Christmas TV specials have a modern-day corollary in Asbury town, with the ever-expanding selection of special live sets hosted by performers from within and without the local scene. First out of the box (and returning to the Stoney stage on Friday, December 6) is Quincy Mumford, who joins his band The Reason Why for a 2019 Holiday Show that further features Mike Pinto and another of QM’s contemporaries among the exciting new generation of Asbury-based solo artists, Rachel Ana Dobken. Another one-to-watch act on the present Shorescape, the duo New Narratives, is among the performers helping to raise donations for the AP Toy Drive effort during a Friday evening multi-band bill at Asbury Lanes — while over at Little Buddy Hideaway (that tropic-island-nest annex to downtown AP’s Brickwall), another best-kept-secret set aims to keep the beachy vibe alive, with a tinsel-garland twang. Hosted by the folks who bring you the annual surf/ tiki/ cocktail fest Hi-Tide Weekend — Magdalena O’Connell and Vincent Minervino— Friday’s Hi-Tide Holiday session offers chestnuts from DJ Hi-Tide’s private stash of swingin’ sides, plus live and languorous sounds by Philly’s foremost purveyors of party music with a Hawaiian punch, Slowey & the Boats.

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LIVE, LOCAL & LOYAL, RIGHT HERE IN MUSIC CITY

Published in The Coaster (Asbury Park, NJ) and The Link (Long Branch, NJ), November 14, 2019

 LOYALTY! It’s a concept that only truly functions as a two-way street — mind you don’t get thrown ‘neath one of those passing buses — and one that arguably attains its highest calling in that special relationship between singer/ band and audience. And, as Jeff Warshauer puts it, “in a time where 40,000 tracks get uploaded to Spotify every day and music is being relegated to the background, it is very important that we facilitate a deeper connection between artist and fan, and elevate the local music scene.”

Here along the Monmouth County Shore, that epicenter of the NJ music community (where sounds are a cash crop and principal export), the emergence and influx of new musical acts in recent years (added to an already substantial scene’s worth of veteran acts) fairly cries out for a reliable guide — and with that in mind, Warshauer developed Asbury Park-based Live Music Loyalty as a mobile app that focuses on “helping musicians connect with their fans and grow their audience” — a mission accomplished via comprehensive live music listings, detailed artist profiles, and an option that encourages fans “to check in to events so artists know who come see them play” (there’s also a recommended playlist each week, spotlighting tacts who are locally based, or who’ve paid a recent visit).

Having made its mark, with remarkable momentum, upon the scene’s screens, Live Music Loyalty takes its next quantum leap into the brick and mortar meatworld, with a pair of (concurrent but connected) multi-band “takeover” events this Saturday night, November 16. Beginning at 9:30 pm, the hallway between a pair of sister saloons on the Asbury boardwalk (Marilyn Schlossbach’s Langosta Lounge, and Asbury Park Yacht Club) is the two-way street that allows access to two stages worth of “Scene by the Sea” sounds, with Langosta serving up ace showband Secret Sound, plus the Mike Montrey Band and Matt Cook — while APYC sets sail with The Shoobies, Natalie Farrell, and The Foes of Fern. There’s no cover charge, and proceeds from purchases of products from drink special sponsors Last Wave Brewery and Shipwreck Rum go directly to the youth music education programs of the Asbury Park Music Foundation.

As Warshauer explains it, “Asbury Park is such an unbelievable community, and we need to make sure our artists don’t get drowned out by the noise” — but if ever a scene kicked up a glorious noise of its own, it’s this one; a year-round bash that spans the genres and the generations, and that anymore refuses to abide by the tired old concept of the “off season.”

Embedded within the evolution of the present-day scene is the phenomenon of the musician turned impresario/ promoter/ ringmaster of their own branded events — and the coming nights offer two exciting examples at live music venues in Long Branch. Tonight, November 14, the Freehold-based folks behind the fast-growing surf/ tiki label Hi-Tide Recordings (that’s Magdalena O’Connell and her husband, Black Flamingos drummer Vincent Minervino) return to Whitechapel Projects, as they welcome Rochester, NY’s retro pop trio The Hi-Risers (with some set-up spins by the ever-enigmatic DJ Hi-Tide). Then on Friday, the forever Home of Original Music on the Jersey Shore — that’s Greg Macolino’s Brighton Bar in wild West End — gives the floor to pioneer punk/crunch/skronk drummer Reg “Satana” Hogan, as the veteran pacesetter and recently minted promoter showcases a bill toplined by the buzzed-about band Shut Up, and featuring Reg’s own recent project, the trio 19DRT.

Another homegrown performer whose skills in both nightclub/concert and theatrical settings have served him well as a showman — the ever-industrious Anthony “Remember Jones” D’Amato — takes the Stone Pony stage on Saturday night, as frontman for the latest feather in his career cap; a little combo known as Everyone Orchestra. Under the baton of Matt Butler, it’s “a blissful, masterfully conducted, fully spontaneous explosion of live music created by a rotating cast of world renowned musicians” — in this case including such awesome instrumentalists as pedal-steel paragon Robert Randolph and sought-after session guitarist Vernon (Living Colour) Reid. Check our music listings on page 31 for particulars — and check in around town that night for no-cover sets by local lights Quincy Mumford (Robinson Ale House) and Alex English (Soundbooth Lounge at The Asbury Hotel).

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IT’S “OUTDOOR VOICES, PLEASE,” AS SUMMER CONCERTS KEYNOTE

Jo Bonanno and the Godsons of Soul summon the “Spirit of Asbury Park” in a free July 14 concert on the West End Beach.

Published in The Coaster (Asbury Park, NJ) and The Link (Long Branch, NJ), June 6, 2019

Imagine if you will a summer concert event with your choice of first-come/first-served seating. No shuttle queues, no turnstile patdowns, no confiscated cameras, water bottles, umbrellas or Pringles packs. And best of all, no platinum-club pricing levels or service charges. In the words of Zappa, it’s all Absolutely FREE, so you low-budget Lotharios and daddy-track Don Juans can do your cheap-date thing.

Yes, it’s Free Outdoor Concert Season again — and from Avon on up to Sea Bright, the boardwalks, beaches, and bandshells are getting set to welcome a beach-blanket brigade of neighbors in search of some savvy sounds, ‘neath the setting sun and stars. It’s a musical menu that runs the gamut from operatic arias, big band jazz, and streetcorner soul, to show-band grooves, acoustic Americana, Latin jams, garage rock, hip hop, and all stylistic territory between. And did we mention FREE?

While the late-spring breezes have already been tested by various festival performers (as well as by hardy souls like Stringbean and the Boardwalk Social Club, in session Monday evenings outside Langosta Lounge, and Wednesdays at Anchor’s Bend), the plein-air panorama starts in earnest right here and now — so grab your freshly webbed lawn chairs and broken-in blankets, and enjoy the complimentary sunsets and the prime people-watching opportunities.

ASBURY PARK

With the Atlantic waves and the whole wide-screen sky as the backdrop, few live music settings are as made-to-order as that of Jams on the Sand, the annual series that stakes out the beach-top bandstand, bar and dance floor of Anchor’s Bend off the north side of the good ship Convention Hall. While attendees are encouraged to come on down and enjoy the specialties of the Bend’s kitchen and cocktail crew, all are welcome to take in the show from the boardwalk “mezzanine,”starting on June 20 with midwest funk/rock unit The Main Squeeze — and continuing Thursdays at 5 pm through August 29 with a diverse dance card of Asbury returnees (guitar prodigy Brandon “Taz” Niederauer, July 18; JAZZ is PHSH, August 15) and buzzworthy newcomers (New England jam juggernaut Percy Hill, June 27; “gospel ninja soul” exponent Zach Deputy, July 4). Each date also boasts an After Party set spotlighting some of the Shore’s finest, at the nearby Wonder Bar.

June 20: The Main Squeeze/ Ron Artis II & the Truth. June 27: Percy Hill/ After Funk. July 4: Zach Deputy/ Shady Street Show Band. July 11: Southern Avenue/ Mike Montrey Band. July 18: Brandon “Taz” Niederauer/ Dogs in a Pile. July 25: Chris Jacobs/ Evanoff. Aug. 8: E.N. Young/ The Pembertones. Aug. 15: JAZZ is PHSH/ Funky Dawgz Brass Band. Aug. 22: Mystic Bowie’s Talking Dread/ Secret Sound. Aug. 29: Bella’s Bartok/ Kat Wright.

Just announced — and returning on Wednesday evenings to the “First Avenue Green” across Ocean Avenue from the Stone Pony SummerStage — the Asbury Park LIVE series showcases double (and even triple) bills of some of the area’s best makers of original music. The 6:30 pm events programmed by the nonprofit Asbury Park Music Foundation (and sponsored by MOGO Tacos) float their first note on June 26 with an indie-pop serenade starring Asbury’s own Sonic Blume and frequent AP guests The Vaughns — and the series continues each Wednesday (save 7/17) through August 28, with the spotlight on such local luminaries as Black Suburbia Music Group, Dark City Strings, Pamela Flores, Rachel Ana Dobken, The Vansaders, and Waiting For Mongo, to name but a very few (proceeds benefit the Asbury Park Music Foundation, on whose Facebook page you’ll find complete schedule details).

June 26: Sonic Blume/ The Vaughns. July 3: Dark City Strings/ Jackson Pines. July 10: Waiting On Mongo/ Whodat!. July 24: Black Suburbia Music Group/ Blaise/ Pamela Flores. July 31: Latewaves/ Well Wisher/ Extensions. Aug. 7: The Vansaders/ Tide Bends/ Sunshine Spazz. Aug. 14: Rachel Ana Dobken/ Mercury Brothers. Aug. 21: Vendetta Rose/ Brian Wood & Co. Aug. 28: Connor Bracken & the Mother Leeds Band/ Shoobies.

The APMF is also the driving force behind the returning MUSIC MONDAYS at Springwood Park, the series that brought live music back to the West Side with a mix of legandary veterans (Ray Goodman & Brown; Gary U.S. Bonds) and rising local luminaries. While the 2019 schedule hasn’t been announced as we go to press, mark those calendars for the inaugural event on June 24; with shows continuing each Monday at 7 pm (and a finale starring the Sensational Soul Cruisers on Tuesday, August 27).

If there’s one summer diversion that can trace a direct line back to the old-timey days when the Shore’s first music superstar Arthur Pryor and his famous march orchestra held court on the boardwalk, it’s the Asbury Park Concert Band, the multi-generational institution that returns to the boards (outside Robinson Ale House, at Fifth Avenue) on the evening of Wednesday, July 3 — and then each Thursday thereafter through August 29. Now under the baton of longtime director John Luckenbill, the band plays a schedule of special themed 7 pm concerts, to be announced imminently by the APMF (asburyparkmusiclives.org).

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COME FOR THE MUSIC, STAY FOR THE FILM, AT APMFF 2019

An era-defining inductee of the Rock and Roll Hall of Fame; a next-generation scion of one of American music’s most awesome bloodlines; a foundational figure from the big musical house that Bruce built — and a producer-director whose most recent project earned the Academy Award for Best Picture. All in a weekend’s work — and maybe all at the next table over, here in an ever-accelerating Asbury Park entertainment scene. But with the arrival of the Asbury Park Music and Film Festival, the celebrity-spotting carries a positively charged connection to the city’s rich cultural legacy, and to the young performers who will carry that torch into the future, and the wide world beyond the boardwalk.

Beginning with a special screening and jam session tonight, April 25 at the Paramount Theatre, and soldiering on through the weekend days and nights ahead, it’s the fifth annual edition of the sprawling event that originated under the auspices of the hard-working Asbury Park Music Foundation — and which serves as a high-profile fundraising vehicle for the nonprofit APMF and its ongoing endeavors in the fields of musical education, historical preservation, and live-concert presentation.

Coordinated in its earliest days by Matt Hockenjos (profiled in this space recently, in his role as drummer for alterna-surfpop band Dentist), the festival is guided these days by principals that include Sony Pictures Classics co-president Tom Bernard, Grammy nominated photographer-filmmaker (plus Sea.Hear.Now Festival founder) Danny Clinch, and Asbury Park Press publisher Tom Donovan. The board of directors, an august group of music biz pros, filmmakers and philanthropists, boasts such names as the Grammy Museum’s Bob Santelli, Batman franchise producer Michael Uslan, and radio personality Shelli Sonstein. What hasn’t changed is the core theme of “exploring music in film” — a mission that’s brought the likes of Bruce, Little Steven, Wyclef Jean, Doors drummer John Densmore, and Asbury’s own movie-biz mover ‘n shaker Danny De Vito to the festival’s stages — as well as the call “to benefit underserved youth in Asbury Park,” through organizations like the Boys and Girls Clubs, the “traveling “Beat Bus” program, and the after-school program of Our Lady of Mt. Carmel church.

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IT’S A 3-DAY, V-day WEEKEND IN ASBURY TOWN

Published in The Coaster, Asbury Park NJ, February 14 2019

Ah yes, Valentine’s Day — the candy kisses and the cardboard Cupids; the sweet swirl of the sauvignon and the scent of Sunoco station roses; the prix fixe menu and the pure peer pressure of participating in a “romantic” ritual designed to make the unattached feel like they’re little more than…

Whoa, wait a minute now…that’s Anti-Valentine’s talk, and that’s an avenue that was explored to fine effect just this past Wednesday, when the Asbury Hotel hosted its Anti- V-day songwriting competition. But beginning tonight, February 14 — and continuing on through an extended interlude of concert events and variety vaudevilles — the venues in and around Asbury Park have you Casanovas covered in style, with a choice of entertainments (ranging from hyper-current to classic retro) that are all about the Live and the Love.

Among the most highly visible of the weekend’s events are not just one but two major manifestations of the modern art of Burlesque — a Burlesque-a-pades in Loveland revue that commandeers the stage at House of Independents this Friday, and a NJ Burlesque Valentine’s Show that returns to the Asbury on Saturday. Scroll it down for more details on these exemplars of the art form’s “newly re-energized, multi-gender encompassing, even empowering next wave.”

Following up on that theme of everything old being new again, the Valentine’s interval is a time in which the classic sounds of Great American Songbook pop, vintage soul serenades, and timeless jazz jams come once more to the fore — and it’s no coincidence that all of those genres have been well represented at the Brown Performing Arts Center, the intimate storefront space operated by elegant crooner Bill Brown at 312 Main Street in downtown Asbury.

A little too intimate, it can be said, to meet the demands of V-day’s romantic rush — so with that in mind, Brown has re-teamed with the more spacious Mister C’s Bistro on the Allenhurst waterfront, programming a three-night dinner/show residency that finds the singer holding court there on February 14 and 15. Then on Saturday the 16th, Bill’s buddy Bobby Valli (pictured) — brother to Jersey Boy-for-all-seasons Frankie, and a seasoned performer in his own right — closes out the stand, with available seating for any of the three shows ($69 per person) reserved by calling 732-531-3665.

Upside Tim McLoone’s Supper Club on the Asbury boards, one of the greatest non-rock albums of the classic-rock era is celebrated in style on Friday night, when Asbury’s own Chris Pinnella (himself profiled in these pages back in December) channels the legendary Chairman of the Board in a special salute to Sinatra at the Sands, the Rat Pack artifact that found Ol’ Blue Eyes singing, swinging and swaggering at peak powers, backed by fellow Jerseyan Count Basie’s band (including a next-generation arranger by name of Quincy Jones). The 8 pm event — for which Chris has shared that he won’tbe recreating Sinatra’s sign-of-their-times comic monologues — has sold out as we post this, but fans will be able to reconnect with Pinnella as he honors a regional music master of a different era, Billy Joel, at the Asbury Hotel on March 23.

Valentine’s Day proper finds the Supper Club stage playing host to an altogether different act: From Blue to Greene, the acoustic duo that pairs singer-songsmith-guitarist Austin Vuolo with vocalist and multi-instrumentalist Kaela Fanelli. The 6 pm dinner/show event ($49.95) represents the first of two opportunities to catch the twosome this weekend, as they take it downstairs to Robinson Ale House on Saturday night. Continue reading

PICTURE OF DORIAN: THE SAX MAN BRIDGES ASBURY’S MUSICAL THEN & NOW

Published in The Coaster, Asbury Park NJ, December 13 2018

As Dorian Parreott recalls, it was Frank Bryan — longtime conductor of the Asbury Park Concert Band summer sessions on the boardwalk, and the heir to the baton passed down by the legendary march-meister Arthur Pryor — who gave the aspiring musician an early and crucial lesson in patience and persistence.

“He’d see me coming down to the boardwalk every week to watch the band, and he knew I wanted to play,” says the veteran jazz cat who would spend his school year performing under Mr. Bryan’s direction in the Asbury Park High School band. “Finally he told me, ‘when one of the drummers passes away…you got the job!’.”

It was the saxophone, rather than the skins, that would eventually capture young Dorian’s fancy; a decision that was inspired by his admiration for such mighty reed men as Charlie Parker, Illinois Jacquet, and Frank Foster — but mostly by his uncle George Fauntleroy, who played the sax in New York nightspots, and who came down from the big city to accompany his nephew when he bought his first instrument at Scott’s Music on Springwood Avenue.

More than sixty years on from that summer, Dorian Parreott is himself a longtime core component of the summertime Concert Band that’s now skippered by John Luckenbill; a retired educator who would go on to take up Bryan’s mantle as director of the APHS musical program, and who in between semesters would earn a reputation as a leader of professional jazz combos, and as an ambassador for the homegrown music scene of his native West Side Asbury.

None of which is to suggest that Parreott is wont to rest on his well-earned laurels — in fact, the seasoned saxophonist is arguably more plugged in to the city’s deliriously diverse soundscape than he’s been in years, with a ringside seat on the board of the Asbury Park Music Foundation, and a renewed spurt of activity that finds him still open to new artistic challenges. One of those opportunities came his way just this past weekend, when the saxman joined an all-star house band (under the direction of Tony Perruso) for A Very Asbury Holiday Show; playing to a jam-packed Paramount Theatre audience (and enjoying “ a first-time experience with the rock and rollers”) as he backed a battalion of singers who ranged from Circuit stalwarts (Bobby Bandiera, JT Bowen, Lance Larson), to next-generation stars in the Asbury firmament (Remember Jones, Williams Honor, Desiree Spinks).

This Sunday afternoon, December 16, Dorian switches gears back to the cool and cozy context of small-combo jazz, as The Dorian Parreott Trio entertains during a special Jazz Brunch that’s hosted at one of the newest additions to the city’s timeline of “best kept secret” treasures: the Brown Performing Arts Center. Bill Brown’s intimately scaled storefront space (located next to Santander Bank at 312 Main Street) is the setting for a catered affair that promises a sublime avenue of momentary escape from the hyper-kinetic holiday rush, with Trio colleagues Mark Cohn (keyboards) and Jimmy Givens (drums) contributing to the mix, and seating ($30) reserved by calling 732-320-1660.

“It’s a little something that Asbury needs right now; a room that’s an alternative to the big rock clubs,” says the performer whose long résumé includes numerous sets at a previous musician-managed space, Chico’s House of Jazz. Continue reading

BOWEN APETIT: JT, FEILES GIVE A SUNDAY-SAUCE TASTE OF A NEW PROJECT

Published in The Coaster, Asbury Park NJ, November 15 2018

On paper at least, it looks like a bit of an oddball team-up; a partnership between a couple of performers who — while they can each boast some deep Asbury roots and a fervent local fanbase — have earned their musical street cred working two very different corners of that musical street.

On the one hand, you’ve got JT Bowen, an R&B/soul exciter in the classic spirit of Otis Redding; a gospel-infused entertainer with a preacher’s passion, who’s long specialized in fronting big, brassy, funky-sassy organizations on the stage — and whose long association with the late and legendary Clarence Clemons ranged from the 1960s outfit The Chosen Few, to the major label recording and touring project CC and the Red Bank Rockers.

On the other hand, you’ve got Arlan Feiles, a singer-songwriter, multi-instrumentalist and Jewish kid from LA who — while he’s shared stages and studios with generations of local and/or internationally renowned music makers — has spent decades on the scene as the quintessential lone-wolf solo troubador. It’s a finely tuned songs-and-stories approach that’s allowed him to excel in settings that range from the corner of your favorite coffeehouse, to the Paramount Theatre, where he captivated the crowd during last spring’s TEDx Asbury Park program.

This Sunday afternoon, November 18, Mr. Bowen and Mr. Feiles convene inside the intimately scaled space of the Asbury Park Music Foundation’s headquarters (located inside the Lakehouse complex on Lake Avenue), for the latest in a series of Sunday Sessions sounds-and-syllables events. It’s actually an encore duet for the artists who previously shared a mini-set at that TEDx happening — and who also played for an audience of people on the go, during an August set at Newark Liberty Airport.

As anyone who’s followed Arlan or JT at any time within the past several months already knows, the 3 pm matinee also serves as an appetizer for a very special endeavor: Dig Deep, a full album of Feiles originals, interpreted by Bowen and currently being prepped for release under Bowen’s name with the help of a fan-based fundraising campaign. Check out the title-tune teaser on YouTube, and you’ll hear a powerful cry for dignity and respect; put forth with a sense of slowly simmering, righteous anger by JT’s big voice (and a surprisingly chunky rocked-up rhythm guitar) — in a way that evokes the sort of early 70s symphonic-soul heat, and bitterly cold urban landscapes, of Curtis Mayfield, Marvin Gaye, Bobby Womack and their contemporaries.

“I first met Arlan a little over a year ago, when we were both in a show at the Strand in Lakewood,” says Bowen in recalling the origins of the highly anticipated project. “I heard about him as a writer…I introduced myself and we hit it off right away, like I knew him for a long time.”

“He’s an all around real nice guy, and a very spiritual person too,” adds the singer of his new collaborator — who, for his part, told Madison Marquette’s Gary Mottola on the TEDx stage that “I’d known about JT for a long time…he’s a local hero.”

“As I shook his hand, it occurred to me that we needed to work together,” Feiles continued during the interview with Mottola. “I told him, your voice is so powerful, and it needs to share a powerful message.”

Thus did the 71-year old veteran find his newest collaborator, in a career that’s seen partnerships with Marc Ribler, and, most famously, the Big Man.

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A HAPPENIN’ HALLO-WEEK, IN AND AROUND ASCARY PARK

Published in The Coaster, Asbury Park NJ, October 25 2018

Let other towns lay claim to being the area’s capital of Christmas cheer; home to the longest running St. Patrick’s Day celebration; scene of the most star-spangled July Fourth display. With dozens of venues in which to dance the witching hour away — and plenty of world renowned boardwalk and boulevards on which to strut one’s carefully costumed stuff — Asbury Park has a lock on the days and nights leading up to the Eve of All Hallows, making the seaside city that so famously “came back from the dead” the undisputed headquarters of Halloween festivity.

It’s an interlude that sounds an early-October keynote with the Asbury Park Zombie Walk, the annual lurch previewed in these pages a few weeks back. And in between there are events like this past Saturday’s Haunted Carousel Dance Party, the gala-ghoul benefit for local charities from which images can be seen at ahauntedcarousel.com. But from the moment the sun goes down tonight, October 25 — and on through the moment the clock strikes midnight on November 1, the Day of the Dead — both the legendary haunted landmarks and the shiny new haunts of the greater Asbury area are where the sights, the sounds, and the seriously fun cosplay can be found.

CONCERTS

On the Asbury boards, the major concert event in the season of the witch is Convention Hell — and in this year’s edition of the Hall-rocking happening, the venerable venue welcomes the jam-circuit juggernaut Pink Talking Fish, a band that — as the name implies — triangulates a tribute to the collected works of Pink Floyd, Talking Heads, and Phish. On Saturday night, the four-piece group and friends will be saluting Floyd’s epic album Dark Side of the Moon in sound and light — and joining in the spirit of dress-up fun are three local favorites portraying acts who appeared at Convention Hall in summers past: Wild Adriatic (as Led Zeppelin), Waiting For Mongo (as James Brown and his Famous Flames), and The Burns (as Jim Morrison and The Doors). Doors open at 7 pm, with tickets ($20 advance; $25 d.o.s.)  at the box office or via apboardwalk.com.

While the Convention Hell show is open only to concertgoers age 21 and up, fans of all ages can take it over to the headquarters of the Asbury Park Music Foundation (in the Lakehouse complex on Lake Avenue) on Saturday night, where from 7 to 11 pm the annual Diamond Concerts Halloween Show presents a bill headlined by the up-and-coming Brick Township-based band The Ones You Forgot. Continue reading