IT’S JUST AROUND THE CORNER: LIGHT OF DAY KEEPS THE AP HOME FIRES LIT

Published in The Coaster, Asbury Park NJ, January 17 2019

To hear the man tell it, “Longevity is a benchmark of greatness” — and given that the speaker is Tony Pallagrosi, the words are no mere fridge-magnet platitude. After all, this is the veteran music scene mover ‘n shaker whose unimpeachable cred extends from his days as one of the cats in the band (The Shots, The Asbury Jukes), to host of some much-missed Shore nightspots (The FastLane, Xanadu), to co-founder of major concert venues and promotion entities (Starland Ballroom, Concerts East), to manager of The Weeklings — and quite possibly all the way to “the other side,” thanks to Asbury Angels, the musical memorial initiative that he chairs.

Pallagrosi, however, isn’t referring to himself, or to any of those aforementioned feathers in his cap, but to the endeavor that may ultimately stand as his most lasting legacy: Light of Day, the music-driven fundraising vehicle that’s  illuminated some of the darkest winter days and nights in this City of Summers for well nigh two decades.

Co-founded by Pallagrosi with music promo/ management pro Bob Benjamin as an awareness resource for Parkinson’s Disease research — and inspired by Benjamin’s own diagnosis with the disorder — the annual slate of star-studded happenings grew out of a 40th birthday party for Bob at the Stone Pony; taking its name from the Springsteen soundtrack song “Just Around the Corner to the Light of Day” on its way to becoming a sprawling affair that’s spanned several continents, major North American cities and additional satellite events throughout the calendar year.

Of course, along the way Light of Day became indelibly identified with the stamp of Benjamin’s long-time friend Bruce Springsteen — not just via the organization’s name, but in the very real presence of The Boss as an onstage participant and de facto ringmaster for the majority of those all-star Bob’s Birthday concerts. As an undeniable draw (and a focal point for some tantalizing will-he-or-won’t-he buzz each year), the Bard of the boardwalk has generously shared the stage with a core cast of frequent-flyer performers (including Joe Grushecky, Willie Nile, and Steve Forbert), as well as drop-in guest stars that have ranged from Southside Johnny, Darlene Love and Gary US Bonds, to Light of Day movie star (plus high-profile person with Parkinson’s) Michael J. Fox, and  The Sopranos’ Vincent Pastore.

While the nonprofit Light of Day Foundation is a year-round entity upon which the sun never sets, the heart and soul of the positively charged enterprise remains LOD Winterfest, the mid-January jamboree of activity that commandeers the stages, storefronts and saloons of Asbury Park during the post-holiday “off season” interlude when most other Shore towns are deep into a long winter’s nap. Having offered up a couple of preliminary pace-setter events on January 13 (see the feature on Bob Burger in last week’s Coaster), the circus comes to town in full force for a long weekend that begins tonight, January 17, with a choice of tuneful entertainments that includes a “Hall of Fame Jam” featuring veteran Bruce drummer Vini Lopez (Langosta Lounge), a special edition of Sandy Mack’s Wonder Jam at the Wonder Bar, and an official kickoff concert at downtown’s House of Independents that spotlights such next-gen talents as Williams Honor and Anthony “Remember Jones” D’Amato.

“No other town this small has such a vibrant music scene,” says Pallagrosi. “And at the end of the day, I want everyone involved.”

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STILL THE KING: BURGER GETS BUSY, BY NIGHT ‘N LIGHT OF DAY

Published in The Coaster, Asbury Park NJ, January 10 2019

For a self-described “working musician with a day job,” Bob Burger has always seemed a bit devil-may-care about the impact on his workaday grind, from those many long weekends, out-of-town jaunts, and late nights spent in the company of  folks who like to raise a glass and have themselves a rocking good time.

But as a special counsel in the Newark offices of the prestigious law firm McCarter & English, the Eatontown resident is all business; an award winning attorney with go-to specialties in the fields of intellectual property/ copyright law, NDAs, and software-related issues.

That same scrupulous attention to detail is evident in Burger’s myriad musical projects and live gigs, whether he’s performing in solo, duo, or combo contexts at any of a number of favorite watering holes up and down the Shore — or even jetting off across the pond with The Weeklings, that sublime salute to The Beatles co-founded by Burger with fellow paladin of the pop playbook (and original Beatlemania cast member) Glen Burtnik. And for validation, look no further than that time that Paul McCartney himself hit the dance floor to Bob’s rendition of “Back in the USSR” at a star-studded private party.

If anything, the bespectacled Burger has long stood as a “thinking man’s” version of the stereotypical Guy in the Corner with a Guitar; an impression based not so much on those signature specs (or on the fact that he was valedictorian of his class at Penn State), as it is on his very evident knowledge of and facility with a panorama of pop music styles — an encylopedic, but never dryly academic, mastery of the music that shook the world in the latter half of the last century.

“I do know a lot of songs,” says Burger in what might prove to be one of the understatements of the current millennium. “But you have to be really versatile to survive in the music business these days.”

That quality of versatility has been the special sauce that’s set apart such Burger projects as a full-length Fleetwood Mac tribute show, as well as a heartfelt homage to the One Hit Wonders that defined the 1970s — and it’s a big part of the reason that, when it came time for Max Weinberg to recruit a band for his crowd-pleasingly interactive Jukebox live shows, he called upon Burger and his Weekling mates Burtnik and John Merjave.

Max Weinberg’s Jukebox plays Schenectady, NY this Friday, January 11, as one of the affiliated events in Light of Day XIX Winterfest, the  annual slate of benefit concerts for Parkinson’s Disease research that has burst the borders of its Jersey origins; expanding into satellite events at venues in NYC, Philadelphia and other North American cities, as well as several well-received whistlestops in Australia and Europe. On Saturday the 12th, The Weeklings reconvene for a set of Beatles deep cuts and inner grooves (as well as some celebrated Burtnik/ Burger-penned originals) in another Light of Day barnstormer, this time at the World Cafe in Philly.

Then on Sunday, January 13, Bob Burger switches fab gears once more, as he returns to Asbury Park to perform the music of Tom Petty in a special Light of Day “Cover Me” program at the Stone Pony.

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1/14: Angels, Hard As They Come

In this video clip from the 1980s  UNDERGROUND CAFE local music program that aired on low-budget Cable Television Network of New Jersey (the same obscure channel that was home to The Uncle Floyd Show for a while), a slicked-up Chris Barry interviews Jersey Shore folkie Bob Killian at the long-gone High Tide Cafe in Asbury Park. The late music journalist, booking guy and Mad Hatter poet is among the dearly departed “Asbury Angels” celebrated in a special Induction Ceremony show going up this Light of Day Friday, January 18, at the Stone Pony.

The 2013 slate of Asbury Angels was announced this past weekend — and, putting aside questions of how we’re supposed to find a caring-compartment for this endeavor in a not-quite-post-Sandy seacsape, we’re quite pleased to see the name of an old colleague on the list this year…

CHRIS BARRY, the “freakin’ Deacon” of Shore rock journalists, was a guy who, prior to departing for the world beyond in spring of 2006, touched nearly every aspect of the street-level Jersey Shore words-and-music scene as promoter, booking guy, poet priest, PR person and constant chronicler — in newsprint word and occasional hyperlocal cable image — of same.

If you were a musician or a wordsmith in and around Asbury Park at any time within the 1980s/90s/noughties era of trickle-down economics, you almost certainly had dealings with the man known variously as The Lone Paranoid, the Mad Hatter or even Grizz Wald — and you won’t soon un-see the image of Chris, tall but slightly stooped and flatfooted, loping toward you across a crowded tavern floor, leaning in just a little too close and delivering the latest breathless scene gossip, breaking band news or sage observation in a spray of spittle and a smokey/stoney raspy drawl of a baritone. Think latter-day Elliott Gould times Tuli Kupferberg, divided by Walter Winchell and all the great hippie novelists who never quite got around to typing a single word.

You’d generally spend the next minute or so cleaning the spit from your ear, but somewhere back of that wet-willie communique was a solid foundation of hard information; the lay of the land from a tracker-scout whose circle of acquaintance Venn-diagrammed generational Shore subsets as mutually exclusive as the vintage jams of the Upstage and the hardcore hootenannies of the Hot Dog House. Though we never knew him to drive a car or really make a buck from any of this (he would occasionally intersect with the working world, via paychecks like a civilian gig at Fort Monmouth), Chris managed to make all local stops along the North Jersey Coast Line corridor; looking into and forging friendships in scenes that ranged from barband blues, alt-country and reggae, to punk-pop, solo songwriter and the arty college underground.
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